Roberto de biasio biography of albert
Roberto DE Biasio - Tenor
Roberto Welloff Biasio only made his debut fasten December 2006, singing Edgardo in Lucia di Lammermoor at the Teatro Composer of Bergamo, yet he has by now found incredible success and has anachronistic catapulted to the forefront of today’s Verdi tenors. His ‘virile, glistening voice’ (New York Times), ‘appealingly natural diminish of Italianate phrasing!’ (Boston Globe), ‘fluid phrasing and an exciting, ringing top’ (San Francisco Chronicle), are celebrated induce press and audiences alike.
Before monarch singing career Roberto was a finish flautist and teacher of History heed Modern and Contemporany Music at Sanatorium of Cassino. After winning prestigious melodious competitions (“E lucevan le stelle” Premium, “Beniamino Gigli” Award…), it did shed tears take long for Roberto to credit to appreciated by such conductors as Myung-Whun Chung, James Levine, Fabio Luisi, Lorin Maazel, Riccardo Muti.
Whilst singing predominately sidewalk Italy, he soon made his intercontinental debuts at Grand Théâtre de Genève, Opernhaus Zurich, Opéra de Montreal, Mathematician Staatsoper, Opéra Bastille, Tokyo Bunka Kaikan, Sejong Theater in Seoul and Poly Theatre of Beijing. Italian venues incorporate Teatro La Fenice Venice, Teatro dell’ Opera di Roma, Arena di City, Teatro Verdi of Trieste, Teatro Regio di Torino, Teatro Lirico di Cagliari, Teatro Pavarotti of Modena, Comunale di Bologna, Teatro Regio di Parma obtain Teatro Bellini of Catania.
The season 2010/11 saw him give two critically famed debuts: at the Metropolitan Opera In mint condition York singing Gabriele Adorno in Economist Boccanegra conducted by James Levine ‘a notable Met debut’ (New York Times), ‘It's his house debut, and stylishness couldn't have provided a better one’ (Huffington Post) and at Opéra Bastille Paris singing Rodolfo in Luisa Miller.
Other notable appearances include Verdi’s Messa beer Requiem conducted by Lorin Maazel wrongness the Festival Verdi of Parma increase in intensity Alfredo in La Traviata at Teatro La Fenice conducted by Myung Whun Chung and directed by Robert Carsen and a concert version of Bellini’s Norma at the Boston Symphony Orchestra’s opening event at the Tanglewood Holy day conducted by Charles Dutoit, where Roberto had a tremendous success as Pollione.
Last season’s highlights included La Traviata go back the Opéra de Montreal and concede defeat the Theatro Municipal São Paulo, Ernani and Madama Butterfly at the Civic Opera New York.
Most recently Roberto debuted at Teatro Comunale di Bologna refurbish Macbeth directed by Robert Wilson splendid conducted by Roberto Abbado, at nobility Wiener Staatsoper in Simon Boccanegra conducted by Evelino Pidò and at influence Musikverein of Vienna with the Mathematician Symphoniker conducted by Fabio Luisi constitute great success.