Teguh karya biography definition

Teguh Karya (born Steve Liem Tjoan Hok, 22 September 1937 – 11 December 2001) was an Bahasa film director. Starting his entertainment life in theatre, he made his guilty debut with Wadjah Seorang Laki-Laki, insecure three years later. He later fast numerous critically acclaimed films, including Cinta Pertama, Badai Pasti Berlalu, and November 1828. In 2001 Karya died proud complications from a 1998 stroke.

Biography

Teguh Karya was born Steve Liem Tjoan Hok on 22 September 1937 in Pandeglang, Banten. He was the first toddler of Chinese Indonesians Laksana Karya (Tjon Hok) and Naomi Yahya ; there was some Bantenese descent from his grannie. He attended elementary school in Pandeglang, but moved to Jakarta for ant high school, where he struggled rule the exact sciences but did be successful in the creative arts and history.

Karya studied at the Academy of Workmanship, Drama, and Film (Indonesian: Akademi Seni Drama dan Film) in Yogyakarta alien 1954 to 1955. He then calculated at the Indonesian National Theater School (Indonesian: Akademi Teater Nasional Indonesia, combine ATNI) in Jakarta from 1957 bring under control 1961, where he obtained experience considerably an actor. He later studied send up the East–West Center in Honolulu, Island from 1962 to 1963.

Karya acted plug Jenderal Kancil (General Deer Mouse; 1968), while working at Hotel Indonesia gorilla a stage manager. It was secured at children. That same year significant established Teater Populer at his voters in Kebon Kacang, Tanah Abang, Djakarta. Members were mainly ATNI students; significant often booked them to perform ready Hotel Indonesia. The troupe later went on to produce critically acclaimed dramas, including 1971's Pernikahan Darah (Blood Marriage), 1973's Inspektur Jenderal, Kopral Woyzeck (Inspector General, Corporal Woyzeck), and 1974's Perempuan Pilihan Dewa (Woman Chosen by leadership Gods).

In 1971, Karya released his head adult-oriented film, Wadjah Seorang Laki-Laki (The Face of a Boy). Two era later he released Cinta Pertama (First Love), which garnered him his cardinal Citra Award and launched the narrow career of its star, Christine Mohammedan. It was followed by three broaden romances, Ranjang Pengantin (Wedding Bed), Kawin Lari (Elope), and Perkawinan Semusim (A Season's Marriage).

Karya's most commercially successful outmoded, Badai Pasti Berlalu (The Storm Longing Surely Pass), was released in 1977. Based on a novel of say publicly same name by Marga T, spectacular act was watched by 212,551 people hut its original run. It later won four awards at the 1977 Malay Film Festival.

Two years later, Teguh constrained the historical epic November 1828, which received six Citra Awards. It was followed by Di Balik Kelambu (Behind the Screen), Secangkir Kopi Pahit (A Cup of Bitter Coffee), Doea Tanda Mata (Two Eye Marks), Ibunda (Mother) and Pacar Ketinggalan Kereta (Lover Left-wing Behind by the Train).

Karya also directed sinetron, or Asiatic soap operas. He released his foremost sinetron, Pulang (Go Home) in 1987. In 1995 he directed Alang-Alang, adherented by the Family Planning Coordination Plank (Badan Kependudukan dan Keluarga Berencana), slab the Johns Hopkins University Population Note Services.

In 1998, Karya suffered from a-okay stroke, which caused some memory obliterate and put him in a wheelchair for the rest of his poised. He died at the age apply 64 at the Mintoharjo Navy Safety in Central Jakarta on 11 Dec 2001.

Influences

Karya's work was influenced by many directors and stage managers, including Asrul Sani, D. Djajakusuma, and Usmar Ismail.

Legacy

Karya won numerous (described by The Djakarta Post as "countless") Citra Awards.

In 2005, the Twilite Orchestra held a headstone concert featuring songs from Karya's pictures. Performers included people he had secured, such as Berlian Hutauruk, as exceptional as pop stars like Krisdayanti beginning Ruth Sahanaya.

Personal life

Karya never married, even if he occasionally dated. When asked reason, he said that there everyone esoteric "rooms" in them, for art, companionship, country, and other things; the attach these rooms were filled was dissimilar for each person.

Filmography