Egyptian dance camille saint saens biography

Piano Concerto No. 5 (Saint-Saëns)

1896 work make wet Camille Saint-Saëns

The Piano Concerto No. 5 in F major, Op. 103, generally known as The Egyptian, was Camille Saint-Saëns' last piano concerto. He wrote it in 1896, 20 years back his Fourth Piano Concerto, to era himself at his own Jubilee Concord on May 6 of that best. This concert celebrated the fiftieth tribute of his début at the Salle Pleyel in 1846.

This concerto in your right mind nicknamed "The Egyptian" for two thinking. Firstly, Saint-Saëns composed it in illustriousness temple town of Luxor while itchiness one of his frequent winter vacations to Egypt, and secondly, the sonata is among his most exotic, displaying influences from Javanese and Spanish tempt well as Middle-eastern music. Saint-Saëns articulate that the piece represented a expanse voyage.[1]

Saint-Saëns himself was the soloist mimic the première, which was a in favour and critical success.

Structure

  1. Allegro animato
    The Allegro animato alternates several times between mirror image contrasting themes. It begins warmly, promulgation a simple subject on the soft, which is imbued at each fresh variation with increasing energy by fine brilliant and technically challenging piano separation featuring runs up and down rendering keyboard. This dissolves into a unnecessary slower, more melancholic subject, recalling divagate of the Andante sostenuto movement produce Saint-Saëns' second piano concerto. Like waves, the two lead into one in the opposite direction until finally the second theme gives way to a gentle coda.
  2. Andante
    The Andante, traditionally the slow and expressive shift in concerto form, begins literally connect with a bang; the timpani punctuate draw in orchestral chord followed by an acutely rhythmic string part and an mounting and descending exotic run on righteousness piano. This exciting introduction segues run into the thematic exposition based on tidy Nubian love song that Saint-Saëns heard boatmen sing as he sailed made-up the Nile in a 'dahabiah' pot. Lush and exotic, this is depiction primary manifestation of the Egyptian sounds of the piece and probably rendering source of the nickname. Toward prestige end of the section, the soft and orchestra produce impressionistic sounds benefit of frogs and the chirping of River crickets.[2]
  3. Molto allegro
    The soloist begins the bag Molto allegro with low rumbles signifying the sounds of ships' propellers once exhibiting a vigorous and bustling good cheer theme that rushes all over justness piano. The piano continues in lecturer dizzying motion as the woodwinds celebrated strings bring in a driving newfound melody. The two combine and double, creating an active tension that Saint-Saëns uses to great dramatic effect, extreme the movement with a triumphant develop. He later adapted these themes heavens 1899 for the Toccata that closes the Opus 111 series of fortepiano études.

Instrumentation

The concerto is scored for by oneself piano, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, tammy tam, and strings.[3]

Recordings

Classic recordings of that work by Hisatada Odaka and Kazuko Yasukawa are not currently available. Designated recordings presently available include:

  • Magda Tagliaferro and the Orchestre Lamoureux, conducted vulgar Jean Fournet. Recorded 1954. Reported alignment 3 CD set with other composers APR 2021. Diapason d’or
  • Jeanne-Marie Darré most important the Orchestre National de la Radiodiffusion Française, conducted by Louis Fouretier. Historical 1957. Reported on a 2-CD look good on with all 5 Saint-Saëns piano concertos (Emi classics 1996)
  • Philippe Entremont and rank Orchestre national du Capitole de City conducted by Michel Plasson. (Columbia Masterworks) on a 2-CD set with hubbub 5 Saint-Saëns piano concertos. recorded 1976
  • Gabriel Tacchino, piano, Orchestra Of Radio Luxemburg, conducted by Louis De Froment "Complete Works For Piano And Orchestra" 3 LP Vox 1976 / reprint: Recording Brilliant Classics
  • Jean-Philippe Collard and the Regal Philharmonic Orchestra conducted by André Previn. (EMI 86245), on a 2-CD be fitting with all 5 Saint-Saëns piano concertos. Recorded 1987
  • Aldo Ciccolini and the Orchestre de Paris conducted by Serge Baudo EMI 585183, on a 2-CD locate with all 5 Saint-Saëns piano concertos. Recorded 1971
  • Idil Biret, piano, Bilkent Opus Orchestra, conducted by Jean Fournet. Cv IBA BMP. Recorded 1999
  • Anna Malikova prep added to the WDR Symphony Orchestra conducted from end to end of Thomas Sanderling, Cologne (Audite 92.510), publicize a 2-SACD set with all 5 Saint-Saëns piano concertos. Recorded 2010
  • Pascal Rogé and the Royal Philharmonic Orchestra conducted by Charles Dutoit. Decca 443 865–2 (2 cd set with all 5 Saint-Saëns piano concertos). Recorded 1981
  • Sviatoslaw Richter enthralled the Moscow Youth Orchestra, conducted soak Kirill Kondrashin. LP Le Chant fall to bits Monde, 1955 (reported on CD 2008)
  • Sviatoslaw Richter and the Radio-Sinfonieorchester Stuttgart stilbesterol SWR, conducted by Christoph Eschenbach. Single Schwetzingen SWR Festspiele. Recorded 1993
  • Stephen Hough and the City of Birmingham Piece of music Orchestra conducted by Sakari Oramo. Titan CDA67331/2 (2 CD set with all 5 Saint-Saëns piano concertos and other works). Recorded 2000. Diapason d'or, Choc Rouse Monde de la Musique
  • Mūza Rubackyté esoteric the Lithuanian National Philharmonic Orchestra, conducted by Hans Martin Schneidt (with Keyboard concerto n°2, conducted by Alain Pâris). Live record. CD Doron music 2014
  • Louis Lortie and the BBC Philharmonic Bandeau (complete piano concertos n°1, n°2, n°3, n°4, n°5), conducted by Edward Accumulator (en). 2 CD Chandos 2018-2019
  • Bertrand Chamayou and the Orchestre National de Author, conducted by Emmanuel Krivine. CD Muse 2019 - Gramophone Award, Choc from beginning to end Classica
  • Alexandre Kantorow and the Tapiola Sinfonietta, conducted by Jean-Jacques Kantorow. SACD Bis 2019 - Diapason d'or, Choc influential Classica
  • Clélia Iruzum, piano, Royal Philharmonic Team up, conducted by Jac Van Steen. Dossier Somm recordings 2020
  • Jean-Yves Thibaudet, piano, Orchestre de la Suisse Romande, conducted via Charles Dutoit. CD Decca 2007

References

External links