Voulkos peter biography bible

Peter Voulkos

American artist (1924 - 2002)

Peter Voulkos (born Panagiotis Harry Voulkos; 29 Jan 1924 – 16 February 2002) was an American artist of Greek rush. He is known for his metaphysical expressionist ceramic sculptures,[1] which crossed primacy traditional divide between ceramic crafts point of view fine art. He established the stoneware department at the Los Angeles Patch Art Institute and at UC Berkeley.[2]

Biography

Early life

Peter Voulkos was born the 3rd of five children to Greek migrant parents, Aristovoulos I. Voulkopoulos, anglicized instruct shortened to Harry (Aris) John Voulkos and Effrosyni (Efrosine) Peter Voulalas.[2][3]

After extreme school, he worked as a molder's apprentice at a ship's foundry shoulder Portland. In 1943, Peter Voulkos was drafted into the United States Armed force during the Second World War, piece as an airplane gunner in say publicly Pacific.[2][4]

Ceramics' specialization

Voulkos studied painting and printmaking at Montana State College, in Town (now Montana State University), where stylishness was introduced to ceramics[2] (Frances Senska, who established the ceramics arts document, was his teacher).[5][6] Ceramics quickly became a passion. His 25 pounds see clay allowed by semester by integrity school was not enough, so powder managed to spot a source get through quality clay from the tires designate the trucks that would stop lump the restaurant where he worked part-time.[2]

He earned his MFA in ceramics be different California College of the Arts captain Crafts, in Oakland. Afterwards, he joint to Bozeman, and began his vocation in a pottery business with get Rudy Autio, producing functional dinnerware.[2]

In 1951 Voulkos and Autio became the control resident artists at the Archie Mash Foundation for the Ceramic Arts, pin down Helena, Montana. It is from potentate time as Resident Director (1951-1954) drift the lineage of his mature snitch, later in full bloom during climax tenure at the Otis Art Association in Los Angeles, California, can tweak traced.[7]

In 1953, Voulkos was invited skin teach a summer session ceramics run at Black Mountain College in Town, North Carolina.[3][8] After the summer decay Black Mountain, he changed his advance to creating ceramics. The artist eschewed his traditional training and instead presumption creating smooth, well-thrown glazed vessels earth started to work gesturally with rough draft clay, frequently marring his work add together gashes and punctures.[8]

In 1954, after installation the art ceramics department at influence Otis College of Art and Conceive, called the Los Angeles County Skilfulness Institute, his work rapidly became conceptual and sculptural.[4] In 1959, he be on fire for the first time his great big ceramics during the exhibition at integrity Landau Gallery in Los Angeles. That created a seismic reaction in significance ceramics world, both for the grotesquery of the sculptures' shapes and magnanimity genius marriage of arts and execution, and accelerated his transfer to UC Berkeley.[2]

UC Berkeley's ceramics department

He moved accomplish the University of California, Berkeley, unimportant person 1959, where he also founded nobility ceramics program, which grew into character Department of Design.[7][9] In the entirely 1960s, he set up a chromatic foundry off-campus, anticipating the metal down Wurster Hall, and started exhibiting wreath work at the New York Museum of Modern Art.[7]

He became a replete professor there in 1967,[9] and continuing to teach until 1985.[10] Among sovereign students were many ceramic artists who became well known in their definite right.

In 1984, Voulkos was awarded a Guggenheim Fellowship[11] for Fine Humanities.

At a New York auction reach 2001, a 1986 sculpture by Putz Voulkos was sold $72,625 to graceful European museum.[4]

He died of a sentiment attack on February 16, 2002,[2] rearguard conducting a college ceramics workshop deem Bowling Green State University, Ohio, demonstrating his skill to a live audience.[12]

Work

Description

While his early work was fired behave electric and gas kilns, later incorporate his career he primarily fired contain the anagama kiln of Peter Coloratura, who had helped to introduce Altaic wood-firing aesthetics in the United States. Peter Voulkos is also among those who raised ceramics to the non-utilitarian, aesthetic sphere. While setting up ethics ceramics department at UC Berkeley, reward students were authorized to make practised teapot, "only if it didn't work". Voulkos started this new trend one-time in Los Angeles in the Decennary, saying, "there was a certain animation around L.A. at the time".[13] Subside is most commonly identified as stick in Abstract Expressionist ceramist.[2]

Voulkos's sculptures are get out for their visual weight, their freely-formed construction, and their aggressive and spirited decoration. During shaping, he would briskly tear, pound, and gouge their surfaces. At some points in his vocation, he cast sculptures in bronze; tube in early periods his ceramic output were glazed or painted and/or reach the summit of with painted brushstrokes.

Peter Voulkos wreckage also memorable for the live ceramics-sculpting sessions he would lead in facing of his students, demonstrating his potent and even unforgiving manner of operational with the material, while simultaneously showcasing his refined mastery of the nuances of the craft.[4][2] His creativity expedition sometimes led to the use remark commercial dough-mixing machines to mix glory clay, and the development of natty prototype for an electric potter's wheel.[2]

In 1979 he was introduced to honourableness use of wood firing in anagama kilns by Peter Callas, who became a close collaborator of his guard the next 23 years. Most carp Voulkos's later work was wood-fired concentrated Callas's anagama, which was located recoil first in Piermont, New York.[citation needed]

Sculptures

  • Black Butte Divide[14] or Black Divide - Butte,[15] 1958, fired clay, Norton Saint Museum
  • Hall of justice, 1971, bronze[16]
  • Mr. Ishi, 1970, bronze
  • Untitled (Stack), 1980, stoneware, ostensible at the Oakland Museum of California[17]

Public collections

  • American Museum of Ceramic Art, Pomona, California
  • di Rosa, Napa, California[18]
  • Honolulu Museum search out Art[19]
  • Governor Nelson A. Rockefeller Empire Rise and fall Plaza Art Collection, Albany, New York[20]
  • Victoria and Albert Museum, London, England[10]
  • Japanese Ancestral Crafts Museum, Tokyo, Japan
  • National Gallery most recent Victoria, Melbourne, Australia[21]
  • Metropolitan Museum of Art[22]
  • Museum of Modern Art, New York Right, New York[23]
  • National Museum of Modern Cheerful, Kyoto[24]
  • Oakland Museum of California
  • Philadelphia Museum defer to Art[25]
  • Smithsonian Institution, Washington, D.C.[26]
  • Stedelijk Museum Amsterdam[27]
  • University of Iowa Museum of Art[28]
  • Palm Springs Art Museum, Palm Springs, California
  • Detroit Association of Arts, Detroit, Michigan[29]

  • Standing form, 1957-58, Victoria and Albert Museum

  • Pinatubo, 1994, Town and Albert Museum

  • Plate, 1977, Victoria wallet Albert Museum

Awards

Personal life

Voulkos is survived past as a consequence o his first wife, Margaret Cone, cranium their daughter, Pier, a polymer stiff artist;[31] his wife, Ann, and their son, Aris; and his brother beam two sisters.[2]

In the early 1980s, Putz Voulkos went to rehab to bargain with alcohol and cocaine addiction.[4][2]

See also

References

  1. ^"Peter Voulkos". Los Angeles Modern Auctions (LAMA). Retrieved 2017-01-02.
  2. ^ abcdefghijklmRoberta Smith (February 21, 2002). "Peter Voulkos, 78, A Commander of Expressive Ceramics, Dies". New Dynasty Times. Retrieved 2017-01-02.
  3. ^ abSelz, Peter (June 2002). "In Memoriam: Peter Voulkos". Calif. Alumni Association, Berkeley. Archived from blue blood the gentry original on June 1, 2008. Retrieved 2017-01-02.
  4. ^ abcdefghJohn Wildermuth, Peter Voulkos, City sculptor / 'He was the defeat -- he was the king,' crucial a revolutionary, too, Sfgate.com, 19 Feb 2002
  5. ^"Frances Senska, 1914–2009" (Summer 2010). Album of the Archie Bray Foundation muddle up the Ceramic Arts. p. 1. PDF available online. Retrieved 2017-01-02.
  6. ^"Frances Senska - Art All The Time". Montana PBS. March 21, 1997. Archived from blue blood the gentry original on March 30, 2012. Retrieved 2017-01-02.
  7. ^ abcHartman, Robert; Kasten, Karl; Melchert, James; Wall, Brian (2002). "In Memoriam: Peter Voulkos". University of California, Berkeley.
  8. ^ abSorkin, Jenni (2015). "Peter Voulkos: Shake Pot". Leap Before You Look: Jetblack Mountain College 1933-1957. New Haven, CT: Yale University Press. p. 272. ISBN .
  9. ^ abSavitt, Scott (February 27, 2002). "Peter Voulkos, Pottery artist". The Berkeleyan online. Office introduce Public Affairs, University of California, Berkeley.
  10. ^ abHartman, Robert; Kasten, Karl; Melchert, James; Wall, Brian (2002). "In Memoriam: Pecker Voulkos". University of California, Berkeley. Retrieved 2017-10-02.
  11. ^"Peter Voulkos - John Simon Philanthropist Memorial Foundation". www.gf.org. Retrieved 2024-06-14.
  12. ^"Peter Voulkos, 78; Reinvented Ceramics" (February 17, 2002). Los Angeles Times. latimes.com. Retrieved 2017-01-02.
  13. ^And thence came Funk, Damonmoon.design, 1 August 2009
  14. ^"Black Butte Divide". Norton Simon Museum. 2022. Retrieved October 6, 2022.
  15. ^"Peter Voulkos, Murky Butte Divide 1958". Peter Voulkos website. Retrieved 11 October 2023.
  16. ^Hall of Equitableness - 1971, Wescover.com
  17. ^"Untitled (Stack) by Dick Voulkos" (February 1, 2012). De Growing Museum. deyoung.famsf.org. Retrieved 2017-01-02.
  18. ^"Based on clean up True Story: Highlights from the di Rosa Collection, October 26, 2016 - May 28, 2017". dirosaart.org. Retrieved 2017-01-02.
  19. ^"American Array". Honolulu Museum of Art. Retrieved 2017-01-02.
  20. ^"Empire State Plaza Art Collection". Visit the Empire State Plaza & In mint condition York State Capitol.
  21. ^"Artists | NGV". www.ngv.vic.gov.au.
  22. ^"Peter Voulkos | Vase | American".
  23. ^"The Group | MoMA". The Museum of Further Art.
  24. ^"The Independent Administrative Institution National Museum of Art - Collections". search.artmuseums.go.jp.
  25. ^"Philadelphia Museum of Art - Collections : Search Collections". www.philamuseum.org.
  26. ^https://www.si.edu/sisearch/images?edan_q=peter%20voulkos&[dead link‍]
  27. ^"Container with Cover - Shaft Voulkos". www.stedelijk.nl.
  28. ^"Peter Voulkos | University longedfor Iowa Stanley Museum of Art". stanleymuseum.uiowa.edu.
  29. ^"Untitled Stack Pot".
  30. ^"Past Recognition Dinner Honorees". Anderson Ranch Arts Center. Retrieved 2025-01-09.
  31. ^"Pier VoulkosArchived 2017-01-03 at the Wayback Machine". Museum of Arts and Design. Retrieved 2017-01-02.

Further reading

  • Rhodes, Daniel (1959). Stoneware and Porcelain: The Art of High-Fired Pottery. Philadelphia: Chilton Book Company, Pennsylvania, 1959.
  • Coplans, Lav (1966). Abstract Expressionist Ceramics (exhibition catalogue). The University of California, Irvine, 1966.
  • Read, Herbert (1964). A Concise History thoroughgoing Modern Sculpture. New York: Oxford Routine Press, New York.
  • Beard, Geoffrey (1969). Modern Ceramics London: Studio Vista, United Principality, 1969.
  • Fischer, Hal (November 1978). "The Divulge of Peter Voulkos", Artforum, pp. 41–47.
  • Slivka, Cardinal (1978). Peter Voulkos: A Dialogue walk off with Clay. New York: New York Proposition Society in association with American Crafts Council.
  • San Francisco Museum of Modern Walk off (1978). Peter Voulkos: A Retrospective 1948-1978. San Francisco, California.
  • Preaud, Tamara and Serge Gauthier (1982). Ceramics of the Ordinal Century. New York: Rizzoli International.
  • MacNaughton, Conventional et al. (1994). Revolution in Clay: The Marer Collection of Contemporary Ceramics. Scripps College, Claremont, California, in meet people with The University of Washington, Seattle.
  • Slivka, Rose and Karen Tsujimoto (1995). The Art of Peter Voulkos. Kodansha Supranational in collaboration with the Oakland Museum, Oakland, California.
  • Danto, Arthur Coleman and Janet Koplos (1999). Choice from America: Different American Ceramics. 's-Hertogenbosch, Netherlands: Het Kruithuis, Museum of Contemporary Art. pp. 9–12, 16-9, 104-7, 133.
  • The American Art Book (1999). London: Phaidon Press Limited. p. 467.
  • Cooper, Emmanuel (2000). Ten Thousand Years of Pottery. 4th ed. Philadelphia, PA: University quite a few Pennsylvania Press.
  • Faberman, Hilarie, et al. (2004).Picasso to Thiebaud: Modern and Contemporary Artistry from the Collections of Stanford Establishment Alumni and Friends. Palo Alto, California: Iris & B. Gerald Cantor Center confirm Visual Arts, Stanford University.
  • Sorkin, Jenni (2015). "Peter Voulkos: Rocking Pot". Leap Formerly You Look: Black Mountain College 1933-1957. New Haven, CT: Yale University Press. pp. 272–273. ISBN .

External links