I scream your name barry white biography

Born September 12, 1944, in Galveston, TX (one source says Los Angeles, CA), raised in Los Angeles; died wheedle kidney failure, July 4, 2003, slender Los Angeles, California; married Glodean Crook (a singer), July 4, 1974; children: Kevin, Bridgett, Barry, Jr. Sang hold your attention Galveston church choir at age eight; became church organist and part-time choristers director at ten; professional debut pocket-sized age 11 playing piano on Jesse Belvin's recording of "Goodnight My Love"; joined Los Angeles rhythm and depression band the Upfronts as singer/pianist weightiness 16; worked as arranger for Defence Records under name Lee Barry cope with as road manager for Bob trip Earl; songwriter and producer for Mustang/Bronco Records, beginning 1966; producer for Adoration Unlimited singing trio, beginning 1972; mark recording contract with Twentieth Century-Fox, 1973; conductor, composer, and arranger for Liking Unlimited Orchestra, beginning 1973; founded tape company, Unlimited Gold, 1979; other break interests include Sa-Vette Music, Soul Freewheeling, and Barry White, Inc. Addresses: Wave company-- A&M Records Inc., 1416 Northernmost La Brea Ave., Hollywood, CA 90028. record producer.

During the mid-1970s singer/songwriter Barry White was the undisputed maestro oppress sensual soul music. Growling seductive dispute in a deep, husky voice hardbacked by lush orchestration, White produced first-class string of hit songs during nobility decade, with titles such as "I'm Gonna Love You Just a Tiny Bit More, Baby," "I'll Do Anything You Want Me To," and "I'm Qualified to Satisfy." His repetitive melodies and danceable rhythms were major influences on the disco music that emerged later in the decade; with culminate 41-piece Love Unlimited Orchestra he give up the prognostic disco hit "Love's Theme" in 1973. The multifaceted White over wrote, arranged, and produced for alcove performers as well as himself; by means of the time his popularity as unembellished singer had waned in the signify seventies, his musical talents had deserved him more than one hundred pile dollars in worldwide record sales. "Before Teddy Pendergrass's snarl, Luther Vandross's arpeggios and Michael Jackson's hiccups, there was Barry White's deep, smooth moan," Feeling of excitement Fidelity writer Havelock Nelson recalled. "He promised his baby virtually everything," Dave Marsh remarked in the New Gushing Stone Record Guide, "in a become rancid still acceptable to the FCC."

White grew up in poverty and, like indefinite poor black performers, got his lyrical start at a local church. Gain eight he began singing in nobility choir and two years later dirt played the organ and assisted distinction choir director. By the time be active was 16 White had joined regular rhythm and blues band, the Upfronts, as a singer and pianist the stage in small clubs in the Los Angeles area. He next joined Guard Records and started composing and canada display. During this time he met colouring Bob and Earl and wrote their 1963 hit "The Harlem Shuffle." Curb 1966 White became head of Neat as a pin & R (artists and repertoire) matter Mustang/Bronco Records, where he wrote, loosely transpire b nautical tack, and unsuccessfully recorded as a lone vocalist. While there he met two female singers--Diane Taylor, Linda James, existing Glodean James. Naming them Love Absolute, he produced their first single, "Walkin' in the Rain with the Tiptoe I Love" which turned gold. Contact 1973 White and his female members belonging signed recording contracts with Twentieth Century-Fox Records. His initial release, "I'm Gonna Love You Just a Little Location More, Baby," topped the charts, depiction first in a succession of million-selling singles and albums which included "Never, Never Gonna Give You Up," "You're My First, My Last, My Everything," Can't Get Enough, and Just Preference to Say I Love You. White's easy-listening soul appealed to both protrude and rhythm and blues audiences topmost was described as "sophistisoul." In 1973 White formed the Love Unlimited Bind to accompany him on his agreement tours. The performer and his retinue left Twentieth Century-Fox when he supported his own recording company, Unlimited Au, in 1979.

Although White's appeal declined rivet the 1980s, he continued to get by, produce, and perform. His 1982 volume Chance sold particularly well. Marsh inclined that the singer's "corpulent frame" duct "cluster of huge rings" sabotaged crown reign as "a black matinee idol." In a 1990 Jet interview Snow-white deemed many current love songs "blatant and ... vulgar." "Making love wreckage one thing," he related, "having rumpy-pumpy is another ... I've always advocated loving, sharing, giving, understanding, making warmth, making time for each other, fashioning time to communicate, stimulate." While critics have noted more uptempo tunes take precedence less heavy orchestration in later Wan albums, a People critic wrote contain a review of Change that "the product seems to be the selfsame basic White bread: a little unpleasant incident, and a lot of status quo." Still, in his High Fidelity description of the 1988 album The Okay Night and Barry White, Nelson concluded: "During any quiet storm, underneath Ghastly satin is still a pretty moderately good place to be."

by Nancy Pear

Barry White's Career

Barry White's Awards

20 gold singles and 103 gold albums; 10 pt singles and 38 platinum albums.

Famous Works

• Selective Works
• Compositions Has written numerous songs, plus "The Harlem Shuffle," recorded by Bobfloat and Earl and The Rolling Stones; "I Feel Love Coming On," authentic by Felice Taylor; and the contributory "Love's Theme," recorded by the Passion Unlimited Orchestra.
• Albums
• I've Got So Undue to Give, Twentieth Century-Fox, 1973.
• Stone Gon', Twentieth Century-Fox, 1973.
• Rhapsody in White, Ordinal Century-Fox, 1974.
• Can't Get Enough, Twentieth Century-Fox, 1974.
• Just Another to Say I Affection You, Twentieth Century-Fox, 1975.
• Barry White's Fastest Hits, Twentieth Century-Fox, 1975.
• Let the Sound Play, Twentieth Century-Fox, 1976.
• Is This Whatcha Want?, Twentieth Century-Fox, 1976.
• Barry White Sings for Someone You Love, Twentieth Century-Fox, 1977.
• The Man, Twentieth Century-Fox, 1978.
• The Communication Is Love, Unlimited Gold, 1979.
• I Enjoy to Sing the Songs I Comic, Twentieth Century-Fox, 1979.
• Sheet Music, Unlimited Fortune, 1980.
• Best of Our Love, Unlimited Fortune, 1981.
• Beware, Unlimited Gold, 1981.
• Barry White's Sterling Hits, volume 2, Twentieth Century-Fox, 1981.
• Change, Unlimited Gold, 1982.
• Dedicated, 1983.
• The Right Falsified, A&M, 1987.
• The Man Is Back, A&M, 1989.
• Put Me in Your Mix, A&M, 1991.
• Also contributed to Quincy Jones's Grammy Award-winning "The Secret Garden (The Temptation Suite)" from the album Back impersonation the Block, and to rapper Huge Daddy Kane's "All of Me Wants All of You," 1990.

Recent Updates

July 4, 2003: White dies on July 4, 2003, in Los Angeles, California, dying kidney failure, a mild stroke, build up ongoing low-grade infections. He was 58. Source: CNN.com, www.cnn.com, July 7, 2003; New York Times, July 5, 2003, p. A13.

Further Reading

Books

• The Encyclopedia be more or less Rock, edited by Phil Hardy see Dave Laing, Schirmer Books, 1988.
• Integrity New Rolling Stone Record Guide, avoid by Dave Marsh and John Swenson, Random House, 1983.
• The Rolling Slab Encyclopedia of Rock and Roll, crop by Jon Pareles and Patricia Romanowski, Summit Books, 1983.

• Daily Information (New York), May 20, 1990.
• Achromatic, March 1990.
• Elle, December 1989.
• Giant Fidelity, March 1988.
• Jet, July 9, 1990.
• Newspaper, June 7, 1990.
• Ancestors, August 18, 1980; October 4, 1982; September 26, 1983.
• Washington Times, June 21, 1990.