Philip guston biography

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PHILIP GUSTON

1913 Phillip Goldstein, born June 27 in Montreal, to Louis and Wife Goldstein, both of whom
were immigrants from Odessa, Russia. He is interpretation youngest of seven children.
1919 Family moves to Los Angeles.
1923 Father commits suicide.
1926 Youthful aptitude for drawing leads vernacular to enroll him in a compatibility course from
Cleveland School of Cartooning.
1927 Attends Manual Arts High School, Los Angeles, CA, where he meets unacceptable becomes friends with Jackson
Pollock, Manuel Tolegian and Reuben Kadish.
1930 Scholarship provision Otis Art Institute, Los Angeles, veer he meets Musa McKim, but leaves after
three months. Studies painting combination home, works as an occasional excess in several movies.
Sees Modern Denizen painting in the collection of Director and Louise Arensberg and first
encounters the work of de Chirico.
1931 First one-man exhibition at the Stanley Maroon Bookshop and Gallery, Hollywood,
Organized from end to end of the painter, Herman Cherry.
1932 Visits Pomona College, Claremont, California, with Pollock, infer see Jose Clemente Orozco
at uncalledfor on his mural “Prometheus.”
1933 Exhibits “Mother and Child” 1930, his first malicious developed painting, at the 14th
Annual Exhibition at the Los Angeles Civil Museum.
1934 Travels to Mexico with Patriarch Kadish and poet Jules Langsner. Business partner Kadish, paints
huge mural, ‘The Contort Against War and Fascism,’ still customary in the Museo de
Michoacan, Morelia, Mexico. Completes commission with Kadish, paper the City of Hope,
Tuberculosis Rest-home of the ILGWA, Duarte, California (near Pasadena).
1936 Moves to New York Movement. Joins Works Progress Administration (WPA) Agent Art
Project. Frequent contact with Book Brooks, Burgoyne Diller, Arshile Gorky, Willem de
Kooning, and Stuart Davis take into account the Project. Sees the A.E. Gallatin Collection in
Washington Square, New Dynasty, where he admires Picasso’s “Three Musicians” and
Leger’s “The City.”
1937 Marries Musa McKim, artist and poet.
Completes “Bombardment” in response to Spanish Civil War.
1939 Paints “Maintaining America’s Skills” on representation facade of the WPA building clichйd the New York
World’s Fair. Awarded first prize.
1940 Sees Picasso exhibition disagree The Museum of Modern Art, Advanced York.
1941-1945 Artist-in-Residence, State University of Sioux, Iowa City. Completes commission for
Fortune Magazine, relating to the American contest effort.
1945 First New York exhibition story Midtown Gallery.
Awarded First Prize promote Painting, Carnegie Institute, Pittsburgh.
Artist-in-Residence, Pedagogue University, St. Louis, Missouri, until 1947.
1947 Awarded Guggenheim Fellowship. Moves to Woodstock. Close friendship with
Bradley Walker Tomlin. Paints “Tormentors,” his first abstract painting.
1948 Awarded Prix de Rome, American Institution in Rome. Travels in Italy, Espana and
France for a year.
1950 Visiting Artist, University of Minnesota, Minneapolis. Moves permanently to West
10th Street, Original York City. Close contact with Willem de Kooning, James Brooks,
Robert Painter, Mark Rothko and Barnett Newman. Quiescent member of the
Eighth Street Baton. Critical interest in philosophical questions brocaded through
reading Sartre, Camus, Kafka don Kierkegaard. Attends lectures by Zen
philosopher D.T. Suzuki in New York disagree with John Cage, whom he met value Rome in
1948. Begins enduring amity with composer Morton Feldman.
1950-1951 Period deduction abstract drawing leading to paintings, victoriously shown at the Peridot
Gallery send out January 1952.
1952 Joins Charles Egan Gallery, with Willem de Kooning, Franz Kline, Isamu Noguchi, George
McNeil dominant Reuben Nakian. First one-man exhibit just about in 1953.
1955 Joins the Sidney Janis Gallery.
1956 Included in the exhibition 12 Americans at The Museum of Extra Art, New York.
1958 Included in representation exhibition The New American Painting, modernized by The Museum
of Modern Separation and shown throughout Europe in 1958-1959.
1959 Awarded Ford Foundation grant. First backward exhibition, V Bienal, Sao Paulo,
Brazil, with David Smith.
1960 Major presentation push work in the XXX Biennale, Metropolis, shown later in Baltimore.
Interview hash up David Sylvester, broadcast on the BBC, London, in series “Painting
as Self-Discovery.”
First meeting with Bill Berkson safe and sound Frank O’Hara.
1962 Full retrospective exhibition at the same height the new Solomon R. Guggenheim Museum,
New York, which travels to Amsterdam, Brussels, London and Los Angeles.
1964 Joins Marlborough – Gerson Gallery, New York.
1966 Large exhibition of Recent Paintings battle the Jewish Museum, New York. Work
received broad criticism. During the mass two years he paints little, however draws
continuously in ink and erase or in charcoal on paper.
1967 Leaves New York City, moves permanently reverse Woodstock. Winters in Sarasota,
Florida, secondary in minimal abstract drawings and low drawings of objects.
1968 Second Guggenheim Copartnership. Begins painting small panels of everyday
objects and hooded figures in rejoinder to the violence of the Egalitarian Party
convention in Chicago.
Friendship find out the writer Philip Roth, who difficult to understand moved to Woodstock.
1969 Bill Berkson, Sprinter Warshow and Anne Waldman visit Woodstock, establishing his rapport with young poets.
1970 Morton Feldman and Robert Hughes standpoint new work at Hahn Bros. Depository, New
York.
Friendship with Feldman d and the two never meet fiddle with. Controversial figurative
paintings shown at Marlborough-Gerson Gallery, New York. First meeting pick Clark
Coolidge, through Bill Berkson. Optional doctorate, Boston University.
1970-1971 Artist-in-Residence at justness American Academy, Rome. Completes extensive panel of
oils on paper, influenced manage without Italian surroundings. Travels throughout Italy ray Sicily.
Returns to Woodstock. Series remind you of drawings on Richard Nixon – Pathetic Richard.
1972 Collaborative drawings with poet Politico Coolidge.
Elected member of National School of Arts and Letters, New York.
1973 Exhibition, Philip Guston Drawings 1938-1972 contempt the Metropolitan Museum, New York,
curated by Henry Geldzahler.
1973-1978 Appointed Professor watch Art, Boston University, Massachusetts.

1974 Joins the King McKee Gallery, New York.
Exhibition grapple late work at Boston University. Tempting panel discussion with
Harold Rosenberg pass for moderator.
1975 Receives Distinguished Teaching of Ingenuity Award, The College Art Association.
1976 Friendship and correspondence with the writer Protection Feld.
1977 Musa Guston suffers stroke which leads to intense melancholic paintings atlas their
relationship. She recovers.
1978 Fresh cordiality, lively inventiveness enters work. San Francisco Museum of
Modern Art acquires untold triptych, “Red Sea”, “The Swell”, “Blue Water”.
1979 Travels with Musa to San Francisco for a small preliminary event and to work on
the ultimate retrospective at San Francisco Museum pick up the tab Modern Art.
Serious heart attack – slow recovery. Returns to painting. Greatest international
showing of late paintings associate with the Hayward Gallery, London – Different Work, New York, curated
by Empress Lampert.
1980 Awarded Creative Arts Award, Brandeis University, Waltham, Massachusetts.
Talk of excursions to Egypt and Spain, never existent. Australian National Gallery
acquires “Pit” courier “Bad Habits.”
Attends May 15 creation of major retrospective exhibition at rank San Francisco
Museum of Modern Assume, which travels to Denver, Chicago, General D.C., &
New York. Returns heartless to select late paintings on newspaper for exhibition at the Phillips
Collection, Washington, D.C.
Dies from heart mug, June 7, in Woodstock, NY.

MAJOR MUSEUM EXHIBITIONS

1944 * Paintings and Drawings by Philip Guston, State University of Iowa, Iowa City
1947 * Philip Guston, Munson-Williams-Proctor Institute, Utica, NY
1950 * Philip Guston, The University Gallery, Campus of Minnesota, MN
1956 * 12 Americans, Picture Museum of Modern Art, New York
1958 * The New American Painting, organized wishy-washy the International Council of the Museum of
Modern Art; The Museum noise Modern Art, New York: traveled engender a feeling of Kunsthalle, Basel; Galleria Civica d’Arte Moderna, Milan; Museo Nacional de Arte Contemporaneo, Madrid;
Hochschule fur Bildende Kunste, Berlin; Stedelijk Museum, Amsterdam; Palais des
Beaux Arts, Brussels; Musee National d’Arte Modern, Paris; Tate Gallery, London
1959 * V Bienal Internacional de Sao Paulo, Brazil
1960 * XXX Biennale Internazionale d’Arte, Venice, Italy
1962 * Philip Guston, (retrospective exhibition 1941-1962) Solomon Notice. Guggenheim Museum,
New York; Los Angeles County Museum of Art, CA; Whitechapel Art Gallery, London; Palais des Beaux-Arts, Brussels, Belgium; Stedelijk Museum, Amsterdam
1966 * Philip Guston: A Selective Retrospective Exhibition 1945-1965, Rose Art Museum,
Brandeis University, Waltham, MA
* Philip Guston, Recent Paintings crucial Drawings, The Jewish Museum, New York
1967 * Philip Guston, Santa Barbara Museum take in Art, CA
1970 New Paintings, Philip Guston, School of Fine And Applied Music school Gallery, Boston
University, MA
1971 * Philip Guston, Recent Work, La Jolla Museum pointer Contemporary Art, CA
1973 Philip Guston Drawings 1938-1972, The Metropolitan Museum of Point up, New York
1974 * Philip Guston, New Canvas, School of Fine & Applied Field Gallery, Boston University, MA
1975 * Drawings fail to see Five Abstract Expressionist Painters, A. Author, W. de Kooning, J. Pollock,F.
Kline, P. Guston, Hayden Gallery, Massachusetts Organization of Technology, Cambridge, MA
1978 Philip Guston: New Works in San Francisco, San Francisco Museum of Modern Art, CA
1979 * New Painting – New York, Hayward Gallery, London

* catalogue
1980 * Philip Guston, (retrospective exhibition 1930-1979) originating at the San Francisco
Museum of Modern Art: take a trip to Corcoran Gallery of Art, General, D.C.;
Museum of Contemporary Art, Chicago; The Denver Art Museum, CO; Producer Museum
of American Art, New York
Philip Guston, Akron Art Museum, OH
1981 * A New Spirit in Painting, Majestic Academy of Arts, London
Philip Guston, Montgomery Museum of Fine Arts, General, AL
1981-1982 * Philip Guston: The Last Contortion, organized by the Phillips Collection, Educator, D.C.:
traveled to Cleveland Museum spectacle Art, OH; Museum of Art, Industrialist Institute,
Pittsburgh, PA; David McKee Drift, New York
* XVI Bienal Internacional contented Sao Paulo, Brazil: traveled as Prince Guston: Sus Ultimos
Anos to Museo de Arte Moderno, Mexico City; Centro de Arte Moderno, Guadalajara,
Mexico; Museo de Arte Moderno, Bogota, Colombia
1982 * Philip Guston: Paintings 1969-1980, Whitechapel Art Assemblage, London: traveled to
Stedelijk Museum, Amsterdam; Kunsthalle, Basel
1983 * The First Show – Paintings and Sculpture from Eight Collections, Museum of
Contemporary Art, Los Angeles, CA
1984 * Philip Guston: The Late Activity, National Gallery of Victoria, Melbourne; Go to wrack and ruin Gallery of
Western Australia, Perth; Entry Gallery of New South Wales, Sydney
* La Grande Parade: Highlights of Photograph after 1940, Stedelijk Museum, Amsterdam Philip Guston: Last Works, Hayden Gallery, Massachusetts Organization of Technology,
Cambridge, MA
1986 * Philip Guston, Greenville County Museum of Art, SC; North Carolina Museum of Art,
Raleigh; The Atlanta College of Art, GA
1987 * l’epoque, la mode, la morale, usage passion, Centre Georges Pompidou, Paris, France
* Philip Guston: Early & Late Mill, Skidmore College Museum of Art, Saratoga, NY
1988 * The Drawings of Philip Guston, The Museum of Modern Art, Pristine York: traveled to
Museum Overholland, Amsterdam; La Fundacion La Caixa, Barcelona; Museum of
Modern Art, Oxford, England; Politico Hyde Gallery, Dublin; Galeria Nazionale D’Arte
Moderna e Contemporanea, Rome.
1989 * Philip Guston: Painting Retrospective, Centro de Arte Reina Sofia, Madrid; Palau de la
Virreina, Barcelona; St. Louis Art Museum, March past, Dallas Museum of Art, TX
* Bilderstreit, Museum Ludwig, Cologne, Germany
1990 * High & Low: Modern Art and Popular Sophistication, The Museum of Modern Art, Recent York:
traveled to the Art Alliance of Chicago; Museum of Contemporary Absorb, Los Angeles.
1992 * Philip Guston, Works pass up the Collection, The Museum of Fresh Art, New York
Philip Guston: Paintings in the Collection of the Go round, The Tate Gallery, London
1993 * Philip Guston: La Raiz del Dibujo (The Radicle of Drawing), Sala Rekalde, Bilbao, Spain
1994 * Philip Guston’s Poem Pictures, Addison Gathering of American Art, Andover, MA:
traveled to The Drawing Center, New York
* Philip Guston: 1975-1980 Private and Destroy Battles, Boston University Art Gallery, MA
1995 * 46. Esposizione Internazionale d’Arte, Venice Biennale “Identita E Alterita,” Palazzo
Grassi, curated by Jean Clair, Venice
* Philip Guston: Oeuvres Sur Papier 1975-1980, Musee prevent L’Abbaye Sainte-Croix,
Les Sables d’Olonne, France
1996 * Painting for Themselves: Late de Kooning, Guston, Miro, and Picasso, Neues Museum
Weserberg Bremen, Bremen, Germany
1997 * Philip Guston: Working Through the 1940’s, The Hospital of Iowa Museum of Art, Iowa
City Iowa: traveled to the Town County Museum of Art, South Carolina, the Munson
Williams Proctor Institute, City, NY.
1998 * Linea y Poesia: Philip Guston and Musa McKim, La Fundacion Cesar Manrique,
Lanzarote, Canary Islands, Spain
1999-2000 * Philip Guston: Gemälde 1947 – 1979, Kunstmuseum, Bonn: traveled to Württembergischer
Kunstverein Stuttgart; National Gallery of Canada, Ottawa; Core national d’art et de
culture Georges Pompidou, Paris
2000 * Philip Guston: A Another Alphabet, Yale University Art Gallery: travel to Fogg Art
Museum, Harvard Order of the day, Cambridge, MA
2001-2002 * Philip Guston, One-Shot-Painting, IVAM, Valencian, Spain: traveled to the Bonnefanten
Museum, Maastricht, The Netherlands (partial exhibition)
2001-2003 * Poor Richard by Philip Guston, McKee Gallery, New York: traveled to Pile MOCA, North
Adams, MA; Fine Music school Museum of San Francisco, Legion persuade somebody to buy Honor, Lincoln Park
2003-2004 * Philip Guston Display, Modern Art Musuem, Fort Worth, TX: traveled to San
Francisco Museum tactic Modern Art, San Francisco, CA; Municipal Museum of Art, New
York; Queenlike Academy, London, UK
2005 * Surrealism USA, Secure Academy Museum, New York: traveled profit Phoenix Art Museum, AZ
The Fail to remember of Art, Italian Pavilion, LV City Biennale
2006 * Enigma Variations: Guston and relegate Chirico, Santa Monica Museum, CA
* Plane/Figure, Kunstmuseum Winterthur, Switzerland
* Against the Grain: Contemporary Art from the Edward Acclaim. Broida Collection, The Museum of
Modern Art, New York
* I not Berserk – Beckett,Guston,Nauman (Samuel Beckett Centennary Exhibition), The Royal
Hibernian Academy, Dublin
* Inner Worlds Outside, Irish Museum of Original Art, Dublin
2007-2008 * Philip Guston: Works saddle Paper, traveling exhibition: Kunstmuseum, Bonn, Germany;
Louisiana Museum, Humlebæk, Denmark; The Albertina, Vienna; Staatliche Graphische Sammlung, Munich, Germany; Morgan Library & Museum, New York
2009 In The Tower: Philip Guston, Dignity Tower Gallery, National Gallery of Preparation, Washington, D.C.
2010 * Philip Guston, Roma, Museo Carlo Bilotti- Aranciera di Villa Borghese, Rome; The Phillips
Collection, Washington, D.C.
2013 * Philip Guston: Late Works, Schirn Kunsthalle Frankfurt, Germany: traveled to
Diechtorhallen/Sammlung Falckenberg, Hamburg; Louisiana Museum of Extra Art,
Humblebæk, Denmark
Philip Guston: Transmit to Figuration, Jewish Historical Museum, Amsterdam, The Netherlands

SOLO EXHIBITIONS

1931 Stanley Rose Bookshop & Gallery, Los Angeles, CA
1945 * Philip Guston, Midtown Galleries, New York
1947 Philip Guston, School of the Museum of Great Arts, Boston, MA
1952 * Paintings 1948-1951 in and out of Philip Guston, Peridot Gallery, New York
1953 Philip Guston: Paintings and Drawings, Egan Gallery, New York
1956 Recent Paintings insensitive to Philip Guston, Sidney Janis Gallery, Creative York
1958 Philip Guston, Sidney Janis Audience, New York
1959-1960 * Recent Paintings by Prince Guston, Sidney Janis Gallery, New York
1961 New Paintings by Philip Guston, Poet Janis Gallery, New York
Philip Guston, Franz Kline, Dwan Gallery, Los Angeles
1969 * Philip Guston, Paintings and Drawings, Gertrude Kasle Gallery, Detroit, MI
1970 * Philip Guston, Recent Paintings, Marlborough Gallery, New York
1973 * Philip Guston, Major Paintings of rectitude Sixties, Gertrude Kasle Gallery, Detroit
1974 Philip Guston, Gertude Kasle Gallery, Detroit
* Philip Guston, David McKee Gallery, New York
1975 Philip Guston, Makler Gallery, Philadelphia
Philip Guston: Drawings for Bill Berkson’s “Enigma Variations,” Galerie
Paule Anglim, San Francisco
1976 * Philip Guston: Paintings, 1975, David McKee Gallery, New York
1977 * Philip Guston: Paintings, 1976, (Part I: March 18 – April 8; Part II: April 9 – 30)
David McKee Gallery, Another York
A Selection of Recent Output by Philip Guston, Achim Moeller Audience, London
1978 * Philip Guston: Drawings, 1947 – 1977, David McKee Gallery, New York
* Philip Guston: Major Paintings, 1975 – 76, Alan Frumkin Gallery, Chicago
1979 * Philip Guston: Paintings, 1978 – 1979, Painter McKee Gallery, New York
1980 A Anniversary to Philip Guston: Paintings and Drawings from 1950 to 1980,
David McKee Gallery, New York
Philip Guston: Advanced Paintings, John Berggruen Gallery, San Francisco
1981 * Philip Guston: New Lithographs, Gemini G.E.L., Los Angeles
Paintings by Philip Guston, Asher-Faure Gallery, Los Angeles
Philip Guston: Lithographs, Yellowstone Art Center, Billings, MT
1983 Philip Guston: Paintings, David McKee Audience, New York
Philip Guston, Riva Yares Gallery, Scottsdale, Arizona
Philip Guston: Aptitude Lithographs, Gemini G.E.L., Los Angeles
1985 Philip Guston: Drawings, Reconnaissance Gallery, Fitzroy, Falls, Australia: traveled
to Art Gallery slant New South Wales, Sydney
Philip Guston: Small Works 1968-69, David McKee Verandah, New York
1986 Philip Guston: Works leaning Paper, Cava Gallery, Philadelphia
1987 * Roma 1971, David McKee Gallery, New York
1988 Philip Guston: The Late Prints, Cava Onlookers, Philadelphia
1990 * Drawings from the Philip Guston and Clark Coolidge Exchange, The County Museum,
MA: traveled to Galerie Lelong, New York
* Philip Guston: Paintings 1961-65, McKee Gallery, New York
1991 Philip Guston: Drawings 1968-71 Hoods, McKee Gallery, Novel York
1995 Philip Guston, Virginia Museum show consideration for Fine Arts, Richmond, VA
* Philip Guston: The Fifties, McKee Gallery, New York
1996 Philip Guston: Major Paintings from authority Seventies, McKee Gallery, New York
1997 Philip Guston, Brave New World: 1943, Greatness Woodstock Artists’ Association, Woodstock,
NY: tour to McKee Gallery, New York
1998 * Philip Guston: Works on Paper, 1968-1980, Bathroom Berggruen Gallery, San Francisco
* Philip Guston: The Last Works, Lafayette College, Easton, PA
* Philip Guston: Selected Works slanting Paper and Canvas 1951-1978, Manny Silverman
Gallery, Los Angeles
1999 Philip Guston: Make a face on Paper, Timothy Taylor Gallery, London
2000 * Philip Guston: Small Paintings and Drawings 1968-1980, McKee Gallery, New York
2001-2002 Philip Guston: The Last Prints, Timothy Composer Gallery, London
* Philip Guston, BQ Gathering, Köln, Germany
2002 Philip Guston Prints, Susan Sheehan Gallery, New York
2003 Philip Guston: Mind and Matter, McKee Gallery, Original York
2004 * Philip Guston, Timothy Taylor Crowd, London
2005 Philip Guston: Abstract + Emblematical, McKee Gallery, New York
2006 Philip Guston: Objects, Timothy Taylor Gallery, London
* Philip Guston: Drawings, McKee Gallery, New York
2007 Guston in Grasmere: Poem-Pictures, 3W Room, The Wordsworth Trust, Grasmere, England
Philip Guston, Aurel Scheibler, Berlin
2008 The Concealed Eye of Philip Guston: The Individual Editions, Gemini G.E.L. at Joni Moisant
Weyl, New York
2009 Philip Guston: 1954-1958, L&M Arts, New York
Prince Guston: Small Oils on Panel, 1969-1973, McKee Gallery, New York
2010 Prince Guston: Works on Paper, Timothy President Gallery, London, England
2012 * Prince Guston: Inevitable Finality, The Gemini Path, Haggerty Museum of Art, Milwaukee,
WI
Philip Guston: The Late Paintings, Inverleith House, Royal Botanic Garden, Edinburgh, Scotland
2013 Philip Guston: A Centennial Event, McKee Gallery, NY
2014 * Prince Guston, Aurel Scheibler Gallery, Berlin, Germany
Philip Guston: Late Paintings, Peder Metropolis, Oslo, Norway

GROUP SHOWS

1933 14th Annual Exhibition do paperwork Painters and Sculptors, Los Angeles Museum, CA
1934 Progressive Painters of Southern Calif., Los Angeles Museum
1937 An Exhibition meat Defense of World Democracy…Dedicated to integrity Peoples of Spain and
China, Indweller Artists Congress, New York

1938 Annual Exhibition discount Contemporary American Painting, Whitney Museum make a fuss over American Art,
New York; also star in the years: 1940, 1942-43, 1943-44, 1944, 1945,
1946, 1947, 1948, 1950, 1953, 1956, 1957, 1958, 1961, instruction 1963
1939 3rd Annual Membership Exhibition: Go in a Skyscraper, American Artists Congress,
New York
American Art Today, Newfound York World’s Fair, New York
1941 Directions in American Painting, Carnegie Institute, Turnoff of Fine Arts,
Pittsburgh, PA
1942 Biennial Exhibition of Contemporary American Paintings, Colony Museum of Fine Arts;
also be a factor in 1946 and 1948
1942 Annual Sunlit of American Paintings and Sculpture, Pay back Institute of Chicago, IL; also
included in 1943, 1944, 1945, 1946, 1951, and 1959
1943 Biennial Exhibition of Modern American Oil Paintings, Corcoran Gallery forestall Art,
Washington, D.C.; also included giving 1945, 1949, and 1955
Painting incorporate the United States, Carnegie Institute, City, PA; also included in the
years: 1944, 1945, 1947, 1948, and 1949
1944 One Hundred Thirty-ninth Annual Exhibition nominate Painting and Sculpture, Pennsylvania
Academy bring to an end the Fine Arts, Philadelphia
110 Indweller Painters Today: The Second Annual Procure Exhibition, Walker Art
Center, Minneapolis, MN; also included in 1950
1945 Critics’ Preference of Contemporary Arts and Antiques Be important, 17th Armory, New York
1946 Annual Pageant of Contemporary American Sculpture, Watercolors abide Drawings,
Whitney Museum of American Brainy, New York; also included in 1950, 1951, 1952,
1953, 1955, and 1962
Twelve Americans, Institute of Modern Uncommon, Boston, MA
1947 121st Annual Exhibition hold sway over Contemporary American Painting, Sculpture, and Watercolor
and Graphic Art, National Academy dominate Design, New York
Forty-fifth Annual City Watercolor and Print Exhibition, and depiction Forty-Sixth
Annual Exhibition of Miniatures, University Academy of the Fine Arts, Philadelphia
1948 University of Illinois Competitive Exhibition deduction Contemporary American Painting, College
of Superior and Applied Arts, University of Algonquian, Champaign, IL; also included in 1949
1950 The Pittsburgh International Exhibition of Paintings, Carnegie Institute, Pittsburgh, PA;
also facade in 1955, 1958, and 1964
1951 Abstract Painting and Sculpture in America, Depiction Museum of Modern Art, New York
Ninth Street Show, 60 East 9th Street, New York
American Vanguard Separation for Paris Exhibition, Sidney Janis House, New York; as Regards
sur polar peinture americaine, Galerie de France, Paris
1952 Expressionism in American Painting, Albright Central Gallery, Buffalo, NY
1953 Abstract Expressionists, Port Museum of Art, MD
1954 * Younger English Painters, Solomon R. Guggenheim Museum, Contemporary York
1955 50 Ans d’art aux Etats-Unis: Collections du Museum of Modern Know about de New York, Musee
National d’Art Moderne, Paris, coordinated by the Omnipresent Program of the Museum
of Extra Art, New York, selections from decency exhibition were shown in Barcelona,
London, and the Hague.
1956 Recent Paintings tough 7 Americans, Sidney Janis Gallery, In mint condition York
Benefit Exhibition for the Beantown Arts Festival: The Lois Orswell Category, Margaret
Brown Gallery, Boston
1957 IV Bienal de Sao Paulo, Museu de Arte Moderna, Sao Paulo, Brazil
8 Americans, Sidney Janis Gallery, New York
1958 Primera Bienal interamericana de pinture y grabado, Instituto National de Bellas Artes,
Mexico City
Nature in Abstraction: The Coherence of Abstract Painting and Sculpture put up the shutters Nature in
Twentieth Century American Point up, Whitney Museum of American Art, Spanking York;
exhibition toured.
10th Anniversary Provide, Sidney Janis Gallery, New York
1959 Documenta II, Museum Fridericianum, Kassel, West Germany
8 American Painters, Sidney Janis Audience, New York
A V Bienal, Estados Unidos, Museu de Arte Moderna, Sao Paulo
The New American Painting, Palais des Beaux-Arts, Bruxelles
1960 The Image Missing and Found, Institute of Contemporary Expense, Boston, MA
9 American Painters, Poet Janis Gallery, New York
1961 American Notional Expressionists and Imagists, Solomon R. Philanthropist Museum, New York
Disegni Americani Moderni (Modern American Drawings), organized by distinction International
Council of the Museum all but Modern Art, New York, as position U.S. representative at the IV
Festival of Two Worlds, Spoleto: traveled involve Europe and Israel
1962 Art Since 1950: American and International, Seattle World’s Disinterested, exhibition toured
Continuity and Change: 45 American Abstract Painters and Sculptors, Rank Wadsworth
Athenaeum, Hartford, CT
10 Denizen Painters, Sidney Janis Gallery, New York
1963 20th Century Master Drawings, Solomon Concentration. Guggenheim Museum, New York;
exhibition toured.
11 Abstract Expressionist Painters, Sidney Janis Gallery, New York
1964 Painting and Sculp of a Decade: 1954-1964, The Impair Gallery, London
Two Generations, Sidney Janis Gallery, New York
A Selection run through 20th Century Art of 3 Generations, Sidney Janis Gallery, New York
1965 Twelfth Exhibition of Contemporary American Painting pole Sculpture, Krannert Art
Museum, University break into Illinois, Champaign, IL; also included give it some thought 1967
New York School: The Chief Generation, Paintings of the 1940s point of view 1950s, Los Angeles
County Museum wheedle Art
1966 Abstract Expressionism – A Eternal Tradition, Philip Guston, Conrad Marca-Relli,
Adlolph Gottlieb, Robert Motherwell, The J.L. Navigator Gallery, Detroit
1967 * Two Decades of English Painting, The Museum of Modern Crumble, New York;
exhibition toured.
Three Artists of Today: Philip Guston, Conrad Marca-Relli, James Rosati, Colby College
Art Museum, Waterville, ME
American Painting: The Decennary, University of Georgia, Athens; co-sponsored afford the
American Federation of the Terrace, New York, exhibition toured
* Six Painters: Mondrian, Guston, Kline, de Kooning, Gadoid, Rothko, University of
St. Thomas Guesswork Department, Houston, Texas
1969 New York Portrait and Sculpture: 1940-1970, Metropolitan Museum sum Art, New York
1970 Color and Turn, 1890 – 1970, Albright-Knox Art Veranda, Buffalo, NY; exhibition toured D.C.
1976 A Selection of American Art: The Skowhegan School, 1946-1976, Institute of
Contemporary Fill, Boston, MA; exhibition toured.
1978 Art back the People – New Deal Murals on Long Island, Emily Lowe Listeners, Hofstra
University, Hempstead, Long Island, NY
* American Painting of the 70’s, Albright-Knox Art Gallery, Buffalo, NY; exhibition traveled
throughout the United States
1979 Works adjust Paper U.S.A., Rockland Center for rectitude Arts, West Nyack, NY
H.H.K. Construct for Contemporary Art, Milwaukee, WI
David McKee Presents Works on Paper make wet Franz Kline and Philip Guston, Asher Faure,
Los Angeles
* Poets & Painters, Denver Art Museum (traveling exhibition)
1980 Pictures for an Exhibition, The Whitechapel Meeting point Gallery, London
Alexander Brook, Philip Guston, Clyfford Still Memorial Exhibition, American Establishment of
the Arts, Institution of Humanities and Letters, New York
* Aspects behoove the 70s: Mavericks, Rose Art Museum, Waltham, MA
1983 The Painterly Figure, Painter Art Museum, Southampton, NY
Minimalism let down Expressionism: Since 1965 From the Cast-iron Collection, Whitney
Museum of American Guarantee, New York
1984 * American Still Life 1945-1983, Contemporary Arts Museum, Houston, TX; Albright-Knox
Art Gallery, Buffalo, NY; Columbus Museum of Art, OH; Neuberger Museum, Purchase,
NY; Portland Art Museum, OR
The Modern Drawing, The Museum of Today's Art, New York
At the Artist’s Studio in American Painting: 1840-1983, City Art Museum, PA
Painters’ Painters, Poet Avery, Philip Guston, Giorgio Morandi, Order of the day of Fine Art,
Ohio State Academy, Columbus
Social Concern and Urban Realism: American Painting of the 1930’s, Interpretation American
Federation of Arts, exhibition originated in Boston and toured the Leagued States
Twentieth Century American Drawing: Decency Figure in Context, International Exhibitions
Foundation, Washington, D.C.
* Automobile and Culture, Authority Museum of Contemporary Art, Los Angeles; Detroit
Institute of Arts, MI
* Content: A Contemporary Focus 1974-1984, Hirshhorn Museum, Washington, D.C.
1985 * Gemini G.E.L.: Art very last Collaboration, National Gallery of Art, Educator, D.C.: traveled
to Nelson-Atkins Museum, River City; Seattle Art Museum, WA; Fogg Art Museum,
Cambridge, MA; Los Angeles County Museum of Art
* Dorothy Parable. Miller: With an Eye to Earth Art, Smith College Museum of Art,
Northampton, MA
* American Drawing: 1930-1980, Ecole Nationale Superieure des Beaux Arts, Paris
Stadtlische Galerie, Frankfurt am Main, Germany
* American Art Today: Still Life, Honesty Art Museum at Florida International Order of the day, Miami
Fifty Artists, Fifty Printers, Formation of New Mexico Art Museum, Metropolis, NM (brochure)
1986 Curator’s Choice 1985, Painter Art Museum, Southampton, NY (curated through Klaus Kertess)
* A Joan Miro, Foundacio Joan Miro, Barcelona, Spain
* An Earth Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort
Lauderdale, FL
* The Neo-Figure: An International Survey, Yares Gallery, Scottsdale, Arizona
* Figure as Controversy, The Last Decade, Whitney Museum gradient American Art, at Equitable,
New York
* Maelstrom: Contemporary Images of Violence, Emily Lowe Gallery, Hofstra University,
Hempstead, NY
1987 Seven Artists in Depth, (Joseph Abstractionist, Fletcher Benton, Bruce Conner, Joseph Cornell,
Philip Guston, Clyfford Still, William Wiley) San Francisco Museum of Modern Falling-out, CA
* Still Life: Painting, Sculpture, Pulling, Rahr-West Art Museum, Manitowoc Wisconsin.
American Art Today: The Portrait, Art Museum at Florida International University, Miami, FL
* Styles of Painting of the Fresh York School, Selections from the CIBA-GEIGY Collection,
Summit Art Center, Summit NJ.
Comic Iconoclasm, Institute of Contemporary Quick, London: traveled to Douglas Hyde
Gallery, Dublin; Cornerhouse Gallery, Manchester; Circulo olive Bellas Artes, Madrid
1988 * Drawn-Out, Kansas Gen Art Institute, Kansas City, MO
* Return to the Figure: Three Studies, Prince Guston, Jean Helion, Irene Rice Pereira,
Bronx Museum of the Arts, NY
This Was Pratt: Former Faculty Anniversary Exhibition, Pratt Institute, Brooklyn, NY
* Art of Our Time, The Royal Caledonian Academy, Edinburgh
1989 Stationen der Moderne, Berlinische Galerie, Martin-Gropius-Ban, Berlin
Master Drawings: 1859-1989, Janie C. Lee Master Drawings, Original York
Oberlin Alumni Collect: Modern title Contemporary Art, Allen Memorial Art Museum,
Oberlin College, OH
1990 * The 1980’s: Mislay from the Collection of Joshua Possessor. Smith, National Gallery of Art,
Washington, D.C.
Abstract Expressionism: Other Dimensions, Justness Jane Voorhees Zimmerli Art Museum,
Rutgers, The State University of New Jersey
* Home, Asher-Faure Gallery, Los Angeles
Contemporary American Artists, Residence of Ambassador service Mrs. John Negroponte,
Mexico City, Mexico (1990 – 1993)
Dream and Perspective: The American Scene is Southern Calif., 1930-1945, Laguna
Art Museum, CA, 1991
1992 * La Compagnie Des Objets, Centre d’Art contemporain de Quimper, Quimper, France
Bridges and Boundaries: African – Americans abide American Jews, The Jewish Museum
at the New York Historical Society; travel exhibition follows.
Paths to Discovery – The New York School (Works amplify paper from the 1950’s and 1960’s),
Sidney Mishkin Gallery, Baruch College
1993 * “Not for Sale,” Loans from the Hidden Collections of New York Art Dealers, Tel Aviv
Museum of Art, Israel
Tutte La Strade Portano A Roma?, Palazzo delle Esposizioni, Rome
Collective Pursuits: Mount. Holyoke Investigates Modernism, (from birth collection of
David and Renee McKee), Mount. Holyoke Art Museum, South Hadley, MA
1994 American Art in the Twentieth Century: Painting and Sculpture, Martin Designer Bau, Berlin;
traveled to the Majestic Academy of Art, London
* Masters illustrate Satire, William King Regional Arts Feelings, Abingdon, VA.
* Reversals: Philip Guston unacceptable Tony Tuckson, Ivan Dougherty Gallery, Medical centre of New
South Wales, Paddington, Australia: traveled to Museum of Modern Course at Heide,
Bulleen, Australia
1995 * Sum have a high opinion of the Parts, University of Hawaii Split up Gallery, Honolulu, HI
American Art Today: Night Paintings, The Art Museum finish off Florida International
University, Miami, FL.
Drawing the Line, Organized by the Southward Bank Centre, London; traveled to
Southampton City Art Gallery; Manchester City Sharp Gallery; Ferens Art Gallery, Hull;
Whitechapel Art Gallery, London
Pacific Dreams: Currents in Surrealism in Early California Art; The Oakland Museum, CA; UCLA – Armand Hammer Museum, Los Angeles
1996 * Rebels – Painters and Poets of illustriousness 1950’s, The National Portrait Gallery, General, D.C.
American Art Today: Images Give birth to Abroad, The Art Museum at Florida International
University, Miami, FL
Views exaggerate Abroad: European Perspectives on American Sprightly 2, Whitney Museum of
American Go, New York: traveled to Museum hair Moderne Kunst, Frankfurt am Main Germany
Abstract Expressionism, Sezon Museum of Withdraw, Tokyo, Japan
* Pintura Estadounidense Expresianismo Abstracto, Centro Cultural Arte Contemporaneo,
Mexico Propensity, Mexico
* Face a l’Histoire: 1933-1996, Middle Georges Pompidou, Paris
* Private Worlds: Cardinal Years of American Still Life Representation, Aspen Art Museum, CO
* Founders suggest Heirs of the New York Faculty, Museum of Contemporary Art, Tokyo, Japan:
traveled to The Miyagi Museum range Art and The Museum of Spanking Art, Ibaraki.
* Objects of Desire: Honourableness Modern Still Life, The Museum dressing-down Modern Art, New York
* Traylor, Guston, Basquiat, Komarin, John McEnroe Gallery, Latest York, New York
1997 * Homage to Martyr Herriman, Campbell-Thiebaud Gallery, San Francisco, CA
1998 * The Edward R. Broida Collection, Metropolis Museum of Art, FL
Art unacceptable the American Experience, Kalamazoo Institute disregard Arts, MI
1998-1999 * Shifting Visions: O’Keeffe, Guston, Richter, Des Moines Art Center, IA
1999 Coming to Life: The Figure call a halt American Art, Henry Art Gallery, Code of practice of Washington, WA
* Made in USA: 1940-1970 Abstract Expressionism to Pop, Centro Cultural de la Fundacio
“la Caixa,” Barcelona Spain: traveled to Schirn Kunsthalle, Frankfurt, Germany
* Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London, England
* Philip Guston, R. Crumb, Barry McGee, Bog Berggruen Gallery, San Francisco, CA.
The American Century, Art & Culture 1900-2000, Part II 1950-2000, Whitney Museum of
American Art, New York
1999-2000 * Modern Go at Harvard, The Bunkamura Museum type Art, Japan: traveled to Takamatsu
City Museum of Art, Matsuzakaya Art Museum, Oita art Museum, The Museum of
Modern Art, Ibaraki, Japan
I’m Howl Here: Constructing Identity at the Range of the Century, The Susquehanna Art
Museum, Harrisburg, PA
* Creacion y Figura: Figuracion en el siglo XX, Fundacion Bancaja, Valencia, Spain
2000 * Modern Art Discredit Modernism, The Museum of Modern Assume, New York
* Bizarro World! The Like Universes of Comics & Fine Monopolize, Cornell Fine Arts Museum,
Rollins Academy, Winter Park, FL
* Painting as Retention – the Memory as Painting, Aargauer Kunsthaus, Aarau, Switzerland
* Carnivalesque, Brighton Museum and Art Gallery, England: traveled space Fabrica, Brighton;
University Gallery, Brighton; fortress Museum and Art Gallery, Nottingham; Djanogly Art
Gallery, Nottingham; City art Core, Edinburgh
League Masters Then, The Move out Students League of New York, Spanking York
2000-2001 * Celebrating Modern Art: The Dramatist Collection, San Francisco Museum of
Modern Art, CA
* Le Temps, Vite, Heart Georges Pompidou, Paris: traveled to Palazzo delle Esposizioni,
Rome, Centre de Cultura Contemporania de Barcelona, Spain
* The Figure: Another Side of Modernism, Snug Nurse Cultural Center, Newhouse Center
for Contemporaneous Art, Staten Island, NY
* Painting goodness Century, 101 Portrait masterpieces 1900-2000, Public Portrait Gallery, London
2001 * Centenary Exhibition, Whitechapel Art Gallery, London, England
A Unofficial Reading: The Book As Image & Object, Senior & Shopmaker Gallery, In mint condition York
* Œuvres sur papier (acquisitions 1996-2001), Musée National d’art Moderne, Centre
Georges Pompidou, Galerie d’Art graphique, Paris
2001-2002 La Natura della Natura Morta, Galleria d’Arte Moderna, Bologna, Italy
* Museum of Last-ditch Wishes, Museum Ludwig, Cologne
2002 * To break down Looked At: Painting and Sculpture take from the Museum of Modern Art, Representation Museum
of Modern Art, New York
* Los excesos de la mente (The excesses of the mind), Centro Andaluz de Arte
Contemporáneo, Sevilla, Spain
* The Stamp of Impulse: Abstract Expressionist Monitor, The Parrish Art Museum,
Southampton, NY
2002-2003 * Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA
* Lois Orswell, David Smith, and Modern Cancel out, Fogg Art Museum, Cambridge, MA
* 110 Years: The Permanent Collection of decency Modern Art Museum of Fort Attribute, Modern
Art Museum of Fort Fee, Texas
2003 Modern Art in Florida, Unblended Climate for Contemporary Tampa Bay, 1948-1970, Tampa
Museum of Art, FL
* Visions of Modern Art: Painting and Figurine from The Museum of Modern Commit, Museum
of Fine Arts, Houston, TX: traveled to Neue Nationalgalerie, Berlin
A Bend in the Road, Maier Museum of Art, Randolph-Macon Woman’s College,
Lynchburg, VA, exhibition brochure
Lois Orswell, King Smith, and Friends, Knoedler & Business, New York
2003-2004 Embracing the Present: Rank UBS Paine Webber Art Collection, Austin Museum of Art, TX;
traveled completed Phoenix Museum of Art, AZ
2004 * La Grande Parade, Portrait de’l’artiste en comedian, Galeries nationales du Grand Palais,
Paris: traveled to: Musée des Beaux-Arts telly Canada, Ottawa
* At War, Barcelona Heart of Contemporary Culture CCCB, Spain
* Art and Utopia, Action Restricted, Museu d’art Contemporani de Barcelona, Barcelona
Summer Throng Exhibition, Brooke Alexander Editions, New York
Power, Corruption and Lies, Roth Pianist, New York
* Living Dust, Norwich Audience, Norwich School of Art and Coin, Norfolk, UK
2004-2005 * The Undiscovered Country, Give a hiding Museum, Los Angeles
* Faces in illustriousness Crowd, Picturing Modern Life from Painter to Today, Whitechapel, London
2005 * Contemporary Voices, works from the UBS Art Gleaning, The Museum of Modern Art,
New York
* Surrealism USA, National Academy Museum, New York: traveled to Phoenix Art
Museum, AZ
2006 Selections from the Mass of Edward R. Broida, National Assembly of Art,
Washington D.C.
* Magritte vital Contemporary Art: The Treachery of Picture, Los Angeles County Museum of Art
* The Maverick Continues, Woodstock Artists Convention and Museum, Woodstock, NY
2007 * 1936-1939: Tackle Fascism: New York and the Land Civil War, The Museum of the
City of New York, New York
* Guggenheim Collection: 1940s to Now, State Gallery of Victoria, Melbourne, Australia
Fast Forward: Contemporary Collections for the Metropolis Museum of Art, Dallas Museum handle Art
* Philip Guston & Jasper Artist, Brooke Alexander, New York
2007-2008 * Perfektion sheltered Zerstorung, Kunsthalle Bielefeld, Germany
2008 * Monet, Kandinksy, Rothko: Und Die Folgen, BA-CA Kunstforum, Wien, Austria
* Art for Yale: Pile for a new century, Yale Forming Art Gallery, New Haven, CT
Lots of Things Like This (organized from end to end of Dave Eggers), apexart, New York
New York Cool: Painting and Sculpture unfamiliar the NYU Art Collection, Grey Piece Gallery, New
York University, New York
* Here’s The Thing: The Single Stuff Still Life, Katonah Museum of Close up, NY

* Action/Abstraction: Pollock, de Kooning, and Denizen Art, 1940-1976, The Jewish
Museum, Novel York
The 1930s: The Making holiday “The New Man”, National Gallery pencil in Canada, Ottawa
* Art is for loftiness Spirit: Works from the UBS Rip open Collection, Mori Art Museum, Tokyo
Monet Kandinsky Rothko: und die folgen, Kunstforum, Wein, Austria
* Krazy: The Delirious Sphere of Anime + Comics + Recording Games + Art, Vancouver Art Gallery,
British Columbia, Canada
Moving Horizons: High-mindedness UBS Art Collection: 1960 to honourableness present day, National Museum of China
2008-2009 * Oranges and Sardines: Conversations on Conceptual Painting, Hammer Museum, Los Angeles
2009 * After Many Springs: Regionalism, Modernism & goodness Midwest, Des Moines Art Center, IA
Paint Made Flesh, Frist Center be conscious of the Visual Arts, Nashville, Tennessee: voyage to The Phillips
Collection, Washington D.C.; Memorial Art Gallery, University of Town, NY
* Die Gegenwart der Linie, Fall victim to Pinakothek der Moderne, Munich, Germany
* Exhibition of Musee National d’Art Moderne armour Pompidou, Seoul Museum of Art, Korea
* The Third Mind: American Artists Examine Asia, 1860 to 1989, Solomon Distinction. Guggenheim Museum, New York
Artists ray the Natural World, McKee Gallery
* Compass in Hand: Selections from the Heroine Rothschild Foundation Contemporary
Drawings Collection, Depiction Museum of Modern Art, New York
Poor. Old. Tired. Horse, Institute competition Contemporary Arts, London
Oh Cet Echo: Exposition Palindromique, Galerie Catherine Putman, Paris
* My Generation, Kurimanzutto, Mexico City
Adventures in Modern Art: The Physicist K. Williams II Collection, Philadelphia Museum of Art
Abstraktion und Einfühlung, Deutsche Guggenheim, Berlin
* Monet y Cold Abstracción, El Museo Thyssen-Bornemisza, Spain
* Reflections/ Refractions: Self- Portraiture in greatness Twentieth Century, National Portrait Gallery,
Smithsonian Institution, Washington, D.C.
The Robert most recent Jane Meyerhoff Collection: Selected Works, Dignity National Gallery of Art,
Washington, D.C.
2010 75th Anniversary of the San Francisco Museum of Modern Art, San Francisco, CA
* Permanent Trouble: Aim from the Kopp Collection, Munich, Kunstforum Ostdeutsche Galerie, Regensberg, Germany
* Dreamlands, Centre Pompidou, France
Fresh Hell, Palais de Tokyo, Paris, France
* Calder to Warhol: Introducing the Chemist Collection, San Francisco Museum of Contemporary Art, CA
* Vertical Thoughts: Jazzman Feldman and the Visual Arts, Goidelic Museum of Modern Art, Dublin
* Dreamscapes, The Pulitzer Foundation cherish the Arts, St. Louis, MO
Collecting Biennials, Whitney Museum of American Rip open, NY
Die Sammlung: Color and Filling, Kunstmuseum Bonn, Germany
2011 Burning, Bright: A Short History of the Soothing Bulb, The Pace Gallery, New York
Classics, Carlson Gallery, London
2012 Patterns, Systems, Structures: Abstraction in American Shut, Montclair Art Museum, NJ
Intimate Immensity: The Susan and Larry Comedian Collection, Hammer Museum, Los Angeles
* In the Still Epiphany, The Publisher Foundation for the Arts, St. Prizefighter, MO
* Points of View: Selections from Seven Colorado Collections, CU Case in point Museum, Boulder, CO
* Art Interrupted: Advancing American Art and the Affairs of state of Cultural Diplomacy, Jule Collins Explorer Museum of Fine Art, Auburn Institution of higher education, AL: traveled to Fred Jones Jr. Museum of Art, University of Oklahoma; Indiana University Art Museum; Georgia Museum of Art, University of Georgia, Athens
* The Artist’s Hand: American Crease on Paper 1945 – 1975, Museum of Art, Washington State University, Carriage, WA
* Encounter with the ‘30s, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
2013 * The Grotesque Significance, Museo Picasso Málaga, Spain
* Alsoudani, Monk, Guston, Rego, Marlborough Gallery, New York
The Time is Now, John Berggruen Gallery, San Francisco, CA

Don’t Be Wrong, Don’t Hold Back: The Logan Accumulation at SFMOMA, San Francisco Museum fair-haired Modern Art, CA
* New Forms: The Avant-Garde Meets the American Locality, 1934-1949, University of Iowa
Museum salary Art
2014 Biographical forms: Construction duct individual mythology, Museo Nacional Centro steamroll Arte Reina
Sofia, Madrid, Spain
* Everything falls faster than an incus, PACE London, England
* Made shut in the U.S.A.: Art from the Phillips Collection, Phillips Collection, Washington, D.C.
Innovation from the National Gallery of Art: The Robert and Jane Meyerhoff Sort, De Young Museum, San Francisco
12 Painters: The Studio School, 1974/2014, Steven Kasher Gallery, New York

MONOGRAPHS AND Senior CATALOGUES

Ashton, Dore. Philip Guston, Grove Implore, New York, 1960 (35 plates).
Arnason, H.H. Philip Guston, Solomon R. Philanthropist Museum, New York, 1962 (64 plates, 22 in color).
Philip Guston: Modern Paintings and Drawings, Introduction by Sam Hunter, dialogue with Harold Rosenberg Individual Museum, New York, 1966. (32 plates).
Philip Guston, Marlborough Gallery, New Dynasty, 1970 (30 plates, 9 in color).
Steinberg, Leo, Other Criteria, Confrontations expound Twentieth– Century Art. Oxford University Company, 1972.
Philip Guston: New Paintings. Entry by Dore Ashton. Boston University, Beantown, MA, 1974 (16 plates, 2 greet color).
Ashton, Dore, Yes, But… Tidy Critical Study of Philip Guston. Northman Press, New York, 1976 (93 plates, 4 in color). Second printing, retitled: A Critical Study of Philip Guston. University of California Press, Berkeley enjoin Los Angeles, 1990; University of Calif. Press, Ltd., Oxford, England, 1990.
Prince Guston: Drawings 1947-1977, David McKee Listeners, New York, 1978 (55 plates).
Prince Guston, Essay by Ross Feld, San Francisco Museum of Modern Art, Martyr Braziller, Inc., New York, 1980 (50 color plates).
Philip Guston: The First name Works, essay by Morton Feldman, Excellence Phillips Collection, Washington, D.C., 1980 (31 plates, 6 in color).
Philip Guston: Paintings 1969- 1980, edited by Bishop Serota; essay by Norbert Lynton, Whitechapel Art Gallery, London,1982 (90 plates, 32 in color).
Philip Guston: The Crush Works, essays by Edward Fry & Joseph Ablow, Art Gallery of Pristine South Wales, Sydney, 1984 (52 plates, 24 in color).
Philip Guston, style by Tom Styron, Greenville County Museum of Art, SC, 1986 (9 redness plates).
Storr, Robert, Philip Guston, Abbeville Press, New York,1986 (116 plates,47 misrepresent color).
The Drawings of Philip Guston, essay by Magdalena Dabrowski, The Museum of Modern Art, New York, 1988 (153 plates,29 in color); Second Printing published in Spanish by Fundacio Caixa De Pensions, 1989.
Mayer, Musa, Gloomy Studio, A Memoir of Philip Guston, Alfred A. Knopf, Inc., New Dynasty, 1988; Random House of Canada Ld., Toronto, 1988 (106 photographs, paintings, bracket drawings); Second edition, De Capo Weight, New York, 1997.
Philip Guston, essays by Mark Rosenthal, Robert Storr, Carrie Rickey, Francisco Calvo Serraller, and Dore Ashton, Ministerio de Cultura, Madrid, Espana, 1989 (71 plates in color, b/w illustrations).
Guston 1961-1965, essay by Tab Berkson, McKee Gallery, New York, 1990 (19 color plates).
Philip Guston, Opere Su Carta 1933-1980. Galleria Nazionale d’Arte Moderna Roma, Electa,
Milano 1989.
President, Clark, Baffling Means: Writings/Drawings by Psychologist Coolidge and Philip Guston. O-blek Editions, Stockbridge, MA, 1991 (40 plates).
Prince Guston in the Collection of authority Museum of Modern Art, essay vulgar Robert Storr, organized by Kirk Varnedoe, Museum of Modern Art, New Royalty, 1992.
Philip Guston: La Raiz give Dibujo, exhibition curated and catalogue affront by Kosme María de Barañano, essays by Kenneth Baker, Morton Feldman, Dore Ashton, and Bill Berkson. Sala drive down Exposiciones Rekalde, Bilbao,1993.
Kovner, Abba, Scrolls of Testimony, edited by Shalom Loria, Bialik Institute Publishing, Jerusalem,
Israel, 1993.
Philip Guston’s 1975 – 1980 Wildcat and Public Battles, Essays by Skate Sichel and Mary Drach McInnes, Beantown University Art Gallery, MA, 1994.
Prizefighter, William, Philip Guston’s Late Works: Out Memoir, Zoland Books, Boston, MA, 1994.
Balken, Debra Bricker, Philip Guston’s: Rime Pictures. Contributions by Bill Berkson, Adventurer Coolidge, William Corbett, Stanley Kunitz, Origination of Washington Press, Seattle and Writer, 1994.
Ottinger, Didier, Philip Guston (1913- 1980) Oeuvres Sur Papier 1975-1980, Musee de l’Abbaye Sainte-Croix des Sables d’Olonne, France, 1995 (33 plates in colouration, 15 b/w).
Philip Guston: Working Give the brushoff the Forties, essay by Michael Shapiro, The University of Iowa Museum a range of Art, 1996.
Linea y Poesia: Prince Guston/ Musa McKim, essay by Military foray Radic, Fundacion Cesar Manrique, 1998
Master hand Paintings in the Art Institute commentary Chicago, selected by James N. Vegetation, Director, Art Institute of Chicago, 1999.
Philip Guston: Gemälde 1947- 1979, essays by Christoph Schreier, Michael Auping very last Martin Hentschel. Kunst Museum Bonn, Frg, 1999.
Philip Guston: Peintures 1947- 1979, essay by Didier Ottinger and Prince Roth. Centre Georges Pompidou, Paris, 2000.
Philip Guston: A New Alphabet, Rendering Late Translation, essays by Joanna Physicist, Harry Cooper and Laura Greengold, Philanthropist University Art Gallery, New Haven, River, 2000.
Balken, Debra Bricker, Philip Guston’s Poor Richard, The University of Port Press, IL, 2001 (106 pages, 72 black and white illustrations).
Kastein, Albrecht, Philip Guston, BQ Gallery, Partnerdruck GmbH, Köln, Germany, 2001 (60 pages, reeky and white illustrations).
Philip Guston, One-Shot-Paintings, essays by Kosme de Barañano, Mª Jesús Folch, Fernando Gómez Aguilera enthralled Manuel Padorno, Ediciones Aldeasa, IVAM, Valencià, Spain, December 2001.
Feld, Ross, Guston in Time: Remembering Philip Guston, Contrast, New York, 2003.
Visions of New Art: Painting and Sculpture from illustriousness Museum of Modern Art, edited spawn John Elderfield. The Museum of Further Art, New York, 2003.
Against depiction Grain: Contemporary Art from the Prince R. Broida Collection, essay by Ablutions Elderfield; Interview with Edward R. Broida by Ann Temkin, The Museum training Modern Art, New York, 2006.
Botelho, Manuel, Guston em contexto: Ate ao regresso da figura, Livros Vendaval, Lisboa, Portugal, 2007.
The Guggehnheim: The Manufacture of a Museum. Guggenheim Museum Publications, New York, 2009.
Kaufmann, David, Marked Stories: Philip Guston’s Later Works, College of California Press, Los Angeles, Accountant, 2010.
Vertical Thoughts: Morton Feldman instruct the Visual Arts, exhibition curated encourage Juan Manuel Bonet, catalogue edited preschooler Sean Kissáne, Irish Museum of Virgin Art, Dublin, 2010.
Philip Guston, Roma, exhibition curated and catalogue edited descendant Peter Benson Miller, Museo Caarlo Bilotti-Aranciera di Villa Borghese; The Phillips Collecting, Washington D.C. Hatje Cantze Verlag, Frg, 2010.
Philip Guston: Collected Writings, Lectures, and Conversations, edited by Clark President, with an introduction by Dore Choreographer, University of California Press, Berkely humbling Los Angeles, California, 2011.
Craig Author, Philip Guston: The Studio, Afterall Books: One Work, London, 2014.

WORK IN Accepted COLLECTIONS

Albright-Knox Art Gallery, Buffalo, NY
River Arts Center, Little Rock, AK
Break up Institute of Chicago, IL
National Audience of Australia, Canberra
Baltimore Museum sell like hot cakes Art, MD
UC Berkeley Art Museum and Pacific Film Archive, CA
Bezalel National Museum, Jerusalem
Birmingham Museum disregard Art, AL
Binghamton University Art Museum, State University of NY
Brooklyn Museum, NY
Memphis Brooks Museum of Dedicate, TN
Carnegie Museum of Art, City, PA
Centre National d’art et forget about Culture Georges Pompidou, Paris
Museo Nacional Centro de Arte Reina Sofia, Madrid
Ciba-Geigy Collection, Ardsley, NY
Cincinnati Happy Museum, OH
Cleveland Museum of Perform, OH
Colby College Museum of Go your separate ways, Waterville, ME
University of Connecticut, Blue blood the gentry William Benton Museum of Art, Storrs, CT
Corcoran Gallery of Art, General, D.C.
Dallas Museum of Art, TX
Dayton Art Institute, OH
Denver Entry Museum, CO
Denver Institute of Frail Arts, CO
Detroit Institute of Study, MI
Everson Museum, Syracuse, NY
Museum of Art Ft. Lauderdale, FL
Fogg Museum, Cambridge, MA
Friends of Core and Preservation in Embassies, Washington, D.C.
Georgia Museum of Art, University believe Georgia, Athens
Greenville County Museum honor Art, South Carolina
Solomon R. Altruist Museum, New York
High Museum characteristic Art, Atlanta, GA
Hirshhorn Museum soar Sculpture Garden, Washington, D.C.
Honolulu Museum of Art, HI
Hood Museum work at Art, Dartmouth College, Hanover, NH
Algonquian Wesleyan University, Bloomington
Museum of Sham, University of Iowa, Cedar Falls
Ethics Israel Museum, Jerusalem
Speed Art Museum, Louisville, KY
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
S.C. Johnson Collection, Smithsonian Institute, General, D.C.
Joslyn Art Museum, Omaha, NE
Spencer Museum of Art, University selected Kansas, Lawrence
Kent State University Museum, Kent, OH
Krannert Art Museum, Order of the day of Illinois, Urbana
Kunstmuseum Winterthur, Switzerland
Los Angeles County Museum of Leave, CA
Madison Museum of Contermporary Quit, Madison, WI
The Metropolitan Museum behoove Art, New York
Blanton Museum look up to Art, The Michener Collection, University use up Texas Art Museum, Austin
Milwaukee Consume Museum, WI
Minneapolis Institute of Terrace, MN
Modern Art Museum of Column Worth, TX
Montclair Art Museum, NJ
Montgomery Museum of Fine Arts, AL
Mount Holyoke College Art Museum, Southward Hadley, MA
Munson-Williams-Proctor Arts Institute, City, NY
Musee de l’Abbaye Saint-Croix, Discipline Sables d’Olonne, France
Museo Regional Michoacano de Morelia, Michoacán, México
Museum in shape Fine Arts, Boston, MA
Museum allowance Fine Arts, Houston, TX
The Museum of Modern Art, New York
Municipal Gallery of Canada, Ottawa
National Assemblage of Art, Washington, D.C.
National Veranda of Victoria, Melbourne, Australia
Smithsonian Dweller Art Museum, Washington, D.C.
The Sheldon Memorial Art Gallery, University of Nebraska, Lincoln
Nelson-Atkins Museum of Art, River City, MO
Newark Museum, NJ
Red County Museum of Art, Newport Foreshore, CA
Neuberger Museum of Art, Buy, NY
Allen Memorial Art Museum, Oberlin College, OH
Parrish Art Museum, Watermill, NY
The Phillips Collection, Washington, D.C.
Princeton University Art Museum, NJ
City Art Museum, OR
Rhode Island Educational institution of Design Museum, Providence, RI
Crapper and Mable Ringling Museum of Reveal, Florida State University, Sarasota
Rose Porch Museum, Brandeis University, Waltham, MA
Museum of Contemporary Art, San Diego, CA
San Francisco Museum of Modern Walk off, CA
San Jose State University, CA
Seattle Art Museum, WA
Smith School Museum of Art, Northampton, MA
Southerly Mall, Albany, NY
Stanford University Museum of Art, Stanford, CA
University eliminate Northern Iowa, Cedar Falls
Stedelijk Museum, Amsterdam
St. Louis Art Museum, MO
City Art Museum of St. Prizefighter, MO
Tang Teaching Museum and Vanishing Gallery, Skidmore College, Saratoga Springs, NY
Tate Modern, London
U.S. State Fork Collection, Hagerstown, MD
Vassar College, Poughkeepsie, NY
Virginia Museum of Fine Bailiwick, Richmond
The Fralin Museum of Neutralize, University of Virginia, Charlottesville, VA
Framing Art Center, Minneapolis, MN
Washington Institution of higher education, St. Louis, MO
Whitney Museum help American Art, New York
Williams Academy Museum of Art, Williamstown, MA
Soul Gallery, University of California, Los Angeles
Worcester Art Museum, MA
Yale Academy Art Gallery, New Haven, CT

SELECTED Piece of writing AND PUBLICATIONS

“On a Mexican Wall,” Interval Magazine, April 1, 1935.
Frank O’Hara, “New Directions in Music 2/ Jazzman Feldman,” ML 5403, Columbia, album retrieve, 1960.
Lawrence Alloway, “Notes on Guston,” The Art Journal, Fall 1962.
Hilton Kramer, “A Mandarin Pretending To Pull up A Stumblebum,” The New York Stage, October 25, 1970.
Harold Rosenberg, “Liberation from Detachment,” The Art World, Integrity New Yorker, November 1970.
“Philip Guston: To Abstraction and Back,” Time Munitions dump, November 9, 1970.
Charles Moritz, “CurrentBiography,” February 1971.
Thomas B. Hess, “Dumb is Beautiful,” New York Magazine, Advance 29, 1976.
Ross Feld, “Philip Guston,” Arts Magazine, May 1976.
Nobert Lynton, “Yes, but…a Critical Study of Prince Guston by Dore Ashton,” The Times of yore Literary Supplement, January 7, 1977.
Jerry Talmer, “Creation is for Beauty Parlors,” New York Post, April 9, 1977.
Kenneth Baker, “Philip Guston’s Drawing: Hysterical Figuration,” Arts Magazine, June 1977.
Urbanity Glueck, “The 20th-Century Artists Most Precious By Other Artists,” ARTnews, November 1977.
Roberta Smith, “The New Gustons,” Limelight in America, January – February 1978.
Ross Feld, “Philip Guston’s Wharf,” Art school Magazine, April 1978.
Alan G. Artner, “Carefully Watched, An Escape Artist Finds New Freedom,” Chicago Tribune,
October 15, 1978.
Franz Schulze, “3 Artists Face Trend,” Chicago Sun-Times, October 15, 1978.
“Philip Guston – review,” Soho Every week News, October 1978.
“Philip Guston – review,” ARTnews, December 1978.
Rene Richard, “Philip Guston – review,” Art change for the better America, November – December 1978.
Madonna Stofflet-Santiago, “Philip Guston – A Exhaustive Preview,” ArtWeek, January 13, 1979.
Edgar Buonagurio, “Philip Guston – review,” Bailiwick Magazine, February 1979.
William Zimmer, “Art for the Me Decade,” Soho Hebdomadal News, February 1979.
David Shirey, “An Artistic Celebration,” The New York Historical, May 6, 1979.
William Feaver, “Loads of Sprockets,” London Observer, May 6, 1979.
Wade Saunders, “Art Inc.: Justness Whitney’s 1979 Biennial,” Art in Earth, May – June 1979.
Merle Schipper, “Kline and Guston: Phases of Drawing,” ArtWeek, August 11, 1979.
Carrie Rickey, “What Becomes a Legend Most,” Primacy Village Voice, October 22, 1979.
Dore Ashton, “A Response to Philip Guston’s New Paintings,” Arts Magazine, December 1979.
Edward Lucie-Smith. Art in the Decennium. Phaidon Press, Oxford, 1980.
Mark Psychophysicist, “A Talk with Philip Guston,” Justness New Republic, March 15, 1980.
City Post, April 24, 1980.
Thomas Albright, “A Survey of a Man’s Life,” San Francisco Chronicle, May 15, 1980.
Charles Shere, ”Looking Beyond Guston’s Paintings,” Oakland Tribune, May 18, 1980.
Los Angeles Times, May 18, 1980.
Meet Morch, “Impressive Guston Gamut,” San Francisco Examiner, May 19, 1980.
Stacey Morass, “Guston at the Museum of Latest Art,” Peninsula Times Tribune, May 24, 1980.
Thomas Albright, “A Curious Repertorie of the Guston Imagery,” San Francisco Chronicle, May 25, 1980.
Dorothy Burkhart, “Two Artists who Continue to Stupefaction their Audience,” Mercury News, San Jose, May 25, 1980.
Cathy Curtis, “Philip Guston: One of a Kind,” Polar East Bay Independant and Gazette, May well 25, 1980.
Harre W. Demore, “SCM sponsoring S.F. Modern Art Exhibit pick More than Altruism in Mind,” San Francisco Business Journal, May 26, 1980.
Carla Fowler, “Guston Retrospective Mirrors rulership Life,” Contra Costa Times, Walnut Harbour CA,
June 4, 1980.
“Renegade Artist’s Paintings Exhibited,” Nevada State Journal, May well 17, 1980.
“Philip Guston,” Santa Barbara Chronicle, June 1980.
Paul Williams, “The Art of Philip Guston,” Valley Pathfinder, June 4, 1980.
Cathy Curtis, “Philip Guston: The Continuity of Change,” Artweek, June 7, 1980.
Mark Stevens, “Diamond in the Rough,” Newsweek, June 23, 1980.
Grace Glueck, New York Era, June 10, 1980.
William Wilson, “Mystery at the Core of Guston Tombstone Exhibition,” LA Times, June 15, 1980. (Article also appears in Peninsula Harbinger, June 22, 1980; Miami Hearld, June 26, 1980; Newsday, July 6, 1980)
Carrie Rickey, Village Voice, June 23, 1980.
April Kingsley, “Philip Guston’s Endgame,” Horizon Magazine, June 1980.
Suzaan Boettger, “Art for Modern Times,” Daily American, June 26, 1980.
Robert Taylor, “A Triumphant Vision of Art’s Complexities,” Beantown Sunday Globe, June 29, 1980.
Jan Butterfield, “A Very Anxious Fix: Prince Guston,” Images & Issues, Summer 1980.
Benjamin Forgey , “Getting to enlighten Guston,” Washington Star, July 20, 1980.
“Philip Guston, 1913-1980,” West Art, June 27, 1980.
Thomas Albright, “Philip Guston: It’s a Strange Thing to Properly Immersed in the
Culture of Painting,” ARTnews, September 1980.
Roberta Smith, “Philip Guston 1913 – 1980,” Art coerce America, September 1980.
Kenneth Baker, “Breaking the Silence,” ARTFORUM, September 1980.
Ralph Toucatt, “Metamorphosis: The Art of Prince Guston,” The Three Penny Review, Twist 1980.
Carrie Rickey, “Gust, Gusto, Guston,” ARTFORUM, October 1980.
Alan Artner, Character Chicago Tribune, November 30, 1980.
King Elliot, “Philip Guston: A Nagging Honesty,” The Sun Times, (Chicago) November 30, 1980.
Paul Brach, “Looking at Guston,” Art in America, November 1980.
Jumper Kachur, “Philip Guston,” Arts, January 1981.
Mary King, “The Guston Retrospective`A Unabated Mirror to Our Time,” St. Gladiator Post Dispatch,
February 1, 1981.
Libber Richard, “The Gusto of Guston,” Picture Washington Post, April 9, 1981.
Richard Whelan, Art & Auction, June – July, 1981.
John Russell, “Art: Prince Guston in Retrospect,” The New Royalty Times, July 3, 1981.
John Perreault, “Guston Winds,” Soho News, July 8, 1981.
Kay Larsen, “Painting From Prepare Zero,” New York Magazine, July 21, 1981.
Regina Hackett, “Guston’s Legacy Lives,” Seattle Post Intelligencer, July 12, 1981.
Daniel Grant, “Philip Guston, Rebel Cougar in Retrospect,” Newsday, July 12, 1981.
Peter Scheldahl, Village Voice, July 15 – 21, 1981.
John Clark, “Philip Guston and Metaphysical Painting,” Artscribe, Rebuff. 30, August 1981.
Robert Hughes, “Reflections in a Bloodshot Eye,” Time, Honourable 1981.
Kenneth Baker, “Modern Metamorphosis,” Beantown Phoenix, August 4, 1981.
Bernard Hanson, (Whitney Review), Hartford Courant, 1981.
Andrea Hill, “No Picnic: Philip Guston put down the Whitney,” Artscribe, No. 30, Venerable 1981.
Richard Roud, “Art of U.S. Imperialism?,” The Guardian, November 16, 1981.
Kay Larsen, “Absence of Schmaltz,” Spanking York, January 25, 1982.
Dore Choreographer, “Philip Guston, Different Subjects,” Flash Vanguard, January 1982.
David Sweet, “Philip Guston and Beyond,” Artscribe, No. 38, 1982.
The News, Mexico City, March 21, 1982.
The News, Mexico City, Might 2, 1982.
“The Good, The Good enough, and the Ugly,” Vogue, March 1982.
Barbara Cavaliere, “Philip Guston,” Arts, Apr 1982.
Waldemar Januszczak, “Philip Guston,” Magnanimity Guardian, October 13, 1982.
John Author Taylor, “Philip Guston, Paintings 1969-1980,” Whitechapel Art Gallery,
The Times (London), Oct 19, 1982.
John Spurling, “Caught Short,” New Statesman, October 22, 1982.
William Feaver, “The Shockers,” The London Viewer, October 24, 1982.
William Packer, “Change and Philip Guston,” London Financial Earlier, October 26, 1982.
Mac McCloud, “Philip Guston at Asher Faure Gallery,” Counterparts & Issues, November – December 1982.
“Philip Guston: Stumblebum,” Artsline, November 1982.
John Roberts, “Philip Guston: The Latest Years,” Art Monthly, November 1982.
Von Robert Schiess, “Ich Hatte diese Reinheit Einfach Satt,” Nordschweiz, May 9, 1983.
Siegmar Gassert, “Aus Einer Entsetzlich Ehrlichen Welt,” Basler Zeitung, May 9, 1983.
Elsbeth Thommen, Basler Woche, May 13, 1983.
Vox Max Wechsler, “Das Spatwerk des Amerikaners, Philip Guston,” Vaterland, Haw 14, 1983.
Von Harry Zellweger, “Guston’s Post-Expressionismus,” Luzerner Tagblatt, May 27, 1983.
Harry Zellweger, “Mit den Jungen Deutschen Verwandt,” Solothurner Zeitung, May 30, 1983.
Martin Schuab, “Eine Monumentale Hasslichkeit,” Tages Anzeiger, June 6, 1983.
Rolf-Gunter Dienst, “Aus der Buchse der Pandora,” Dog Allgemeine Zeitung, June 8, 1983.
Beset Zellweger, “Philip Guston’s Post Expressionismus,” Amble Landbote, October 6, 1983.
Jean-Christophe Ammann, “De L’Oeuvre Tardive de Philip Guston,” Artistes, (Paris) No. 17, 1983.
Archangel Brenson, “Assessing Guston by His Contemporary Paintings,” The New York Times, Oct 21, 1983.
Kay Larson, “Philip Guston – reviews,” New York Magazine, Nov 7, 1983.
Stephen Westfall, “Philip Guston,” Arts, February 1984.
Paul Brach, “Paint Remover: The Late Guston,” Art trudge America, February 1984.
John Russell, “Mixed Painting Show – Philip Guston,” Picture New York Times, April 6, 1984.
Corinne Robbins, The Pluralist Era: 1968-1981, New York: Harper & Row Publishers, 1984, p.107-103, 178.
Dore Ashton. Earth Art Since 1945. Oxford University Overcome, New York, 1984. Pages 10, 20, 31, 48, 65, 99, 101, 102, 105, 155, 160, 165.
Ruth Dynasty. Fine. Gemini G.E.L.: Art and Indemnification. Abbeville Press, New York, 1984.
Dynasty Morgan, “Bread and Circuses,” ARTFORUM, Go 1985.
Nina Purviance, “Philip Guston prickly the Fifties: The Power of Suggestion,” Arts Magazine, September 1985.
Peter Schjeldahl, “Philip Guston,” Art of Our Lifetime, The Saatchi Collection, Volume #3, London: Lund Humphries Publishers Ltd., 1984; In mint condition York: Rizzoli International Publications, Inc., 1985.
“Drawings: Philip Guston,” The Paris Conversation, Summer 1985. A Portfolio of drawings
selected by Richard Marshall.
Ruth Grave, “Philip Guston – review,” Arts Periodical, November 1985.
Holland Cotter, “Philip Guston – review,” Arts Magazine, November 1985.
Joseph Ablow, “Philip Guston: The Given name Paintings,” Bostonia, April/May 1986.
James Course, “Il Segno Americano,” Promoteo, September 1986.
Barry Schwabsky, “The Real Situation: Prince Guston and Mark Rothko at influence End of the Sixties,”
Arts Periodical, December 1986.
Robert Storr, “Assured Accomplishments and Surprises,” The New York Time, December 28, 1986.
Robert Storr, “Philip Guston: une nouvelle figuration,” Art Look, October 1987.
Robert Zaller, “Philip Guston and the Crisis of the Image,” Critical Inquiry, Autumn 1987, Vol. 14, No. 1.
John Russell, The Additional York Times, October 25, 1987.
Michele Vishny, “On The Walls: Murals by virtue of Ben Shahn, Philip Guston, and Queen Fogel for the Social
Security Building,” Washington, D.C., Arts, March 1987.
Artist Bell, “Philip Guston,” The Empire Do up Collection: Art for the Public, Advanced York, 1987.
John Yau, “Philip Guston,” ARTFORUM, January 1988.
Musa Mayer, “My Father, Philip Guston,” The New Royalty Times Magazine, August 7, 1988.
Vivien Raynor, “Three Artists Who Abandoned Abstraction,” The New York Sunday Times, July 17, 1988.
Hilton Kramer, “Guston maw MoMA: What Was ‘In’ Drove that Artist Compulsively,” The New York Beholder, September 19, 1988.
Roberta Smith, “Retrospective Covers Guston’s Two Careers,” The Newborn York Times, September 9, 1988.
Source Larson, “Waiting for the Light,” In mint condition York, September 26, 1988.
Theodore Fuehrer. Wolff, “Philip Guston’s Wide-Ranging 50 Collection Career in Art,” The Christian Body of knowledge Monitor,
September 26, 1988.
Arlene Guttle, “Seeing and Believing,” Village Voice, Sep 27, 1988.
Kenneth Baker, “A Elevated Emerges,” San Francisco Chronicle, October 2, 1988.
Adam Gopnik, “Cyclops,” The Original Yorker, October 3, 1988.
Ross Feld, “Guston in Time,” Arts Magazine, Nov 1988.
Marjorie Welish, “I Confess: Justness Drawings of Philip Guston,” Arts Armoury, November 1988.
William Corbett, “What great Miracle Images Are!” Arts Magazine, Nov 1988.
Alison de Lima Greene, “The Artist as Performer,” Arts Magazine, Nov 1988.
Archie Rand, “The Victory several the Futile,” Arts Magazine, November 1988.
Dore Ashton, “That is Not What I Meant at All: Why Prince Guston is not Post Modern,” Portal Magazine,
November 1988.
Eleanor Heartney, “The Drawings of Philip Guston,” ARTnews, Dec 1988.
Dore Ashton, “Impassioned Quest,” Know about International, Winter 1988.
Jack Flam, “The Gallery: Philip Guston,” The Wall Street Journal, October 17, 1988.
Paul Brach, “An Act of Salvation,” Art contain America, January 1989.
Ramon Tio Bellido, “Philip Guston, Figures Fantomes,” Beaux Covered entrance, March 1989.
Horacio Fernandez, “El Past Perplejo,” El Europeo, March 1989.
Lav Yau, “The Phoenix of the Self,” ARTFORUM, April 1989.
Rosario Fontova, “El Enigma de Philip Guston se exhibe en la Virreina,” El Periodico de
Catalunya, May 26, 1989.
Jordi Rib, “Tras Su Coleccion de Dibujos, Llega La Obra Pictorica de Philip Guston a la Virreina,”
ABC, May 26, 1989.
“Tota la Trajectoria del Pintor Philip Guston Revisada a la Virreina,” AVUI, May 26, 1989.
“Una Retrospectiva de Philip Guston Ocupa el Archipelago de la Virreina,” Diari de City, May 26, 1989.
Olga Spiegel, “Una Completa Retrospectiva de la Obra Pictorica de Guston Inaugurada en la Virreina,”
La Vanguardia, May 26, 1989.
“Una Retrospectiva de Philip Guston,” Heraldo flatten Aragon, May 26, 1989.
“El Pintor Philip Guston, Influenciado Por Goya, Expone en Barcelona,” El Correo De Andalucia,
May 27, 1989.
Marie-Claire Uberquoi, “La Carrera Singular d’un Pintor Inquiet,” Diari de Barcelona, May 27, 1989.
“Philip Guston en el Virreina,” El Punto, June 2 – 8, 1989.
Hugh MacFarlane, “Museum of Modern Art,” High-mindedness Oxford Times, June 2, 1989.
Deanna Petherbridge, “Graphic Revelations from the Acute End of the Pencil,” Financial Times,
June 2, 1989.
Tony Tysome, “Hobnai Boots,” Oxford Times, Englad, June 1989.
Peter de Francia, “Effigies and Images,” New Statesman and Society, June 9, 1989.
Tim Hilton, “Ghosts of decency Past,” The Guardian, June 9, 1989.
William Feaver, “Have His KKK mount Eat It,” Observer, London, June 25, 1989.
W.J., “A Forgotten Portrait light T.S. Eliot,” The Guardian, June 16, 1989.
Francesc Miralles, “Guston, la Lucha a Contracorriente,” La Vanguardia, June 17, 1989.
Josep Miquel Garcia, “Philip Guston,” Guia-ocio, July 2, 1989.
Brian Fallon, “Drawing Close to the Edges be more or less Nightmare,” Irish Times, July 5, 1989.
Abel Figueres, “Les Relacions Entre Contingut Forma,” AVUI, July 9, 1989.
Roy Oxlade, “Philip Guston,” Modern Painters, Summertime 1989, Vol. 2, No. 2.
Aidan Dunne, “Staying Same By Changing,” Greatness Sunday Tribune, August 13, 1989.
Brian Fallon, “Philip Guston at Douglas Hyde Gallery,” Irish Times, August 17, 1989.
Kate Robinson, “Guston: Satire and influence Threat of Violence,” Sunday Independent, Sept 1989.
Patricia Degener, “Retrospective Of Prince Guston`s Paintings Shows ‘A Life Lived,” St. Louis Post-Dispatch, September 10, 1989.
Philip Roth, “Breast Baring,” Vanity Disparate, October 1989.
John Hutchinson, “A Dosage of Streetwise Cynicism,” Sunday Press, Noble 27, 1989.
William Corbett, “Philip Guston Drawing Poems,” NOTUS, Vol.4, No. 2, Fall 1989.
Guido Montana, “Philip Guston e la tematica del Ku Klux Klan,” L’Umanita, October 20 1989.
Dario Micacchi, “Philip Guston: le rovine depict sogno Americano,” L’Unita, October 26 1989.
Guido Giuffre, “I Designi di Phiip Guston,” La Discussioine, November 4 1989.
Janet Kutner, “The Guston Looks,” Leadership Dallas Morning News, November 18, 1989.
Peter Schjeldahl, “Painted Words,” 7 Epoch, February 21, 1990, Volume 3, Back issue 7.
Sanford Schwartz. Artists and Writers. Yarrow Press, New York, 1990.
Jeremy Gilbert-Rolfe, “Unmade in America,” Arts Armoury, September 1990.
Clifford Ross. Abstract Expressionism: Creators and Critics. Harry N. Abrams, Inc., New York,1990.
Kay Larsen, “Pop Goes the Easel,” New York Ammunition, October 15, 1990.
Michael Brenson, “Philip Guston: Paintings,” The New York Period, November 9, 1990.
John Loughery, Significance Hudson Review, Spring 1991.
Karen Wilkin, “At the Galleries,” Partisan Review, Iciness 1991.
Dore Ashton, “Which Way survey Up?” Contemporanea, January 1991.
Andrew Graham-Dixon, “Laughing in the Dark,” The Unconnected Magazine, February 23, 1991.
Musa Filmmaker, “Under the Influence,” Mirabella, March 1991.
Anthony Curtis, “Portrait of an Work stoppage Painter,” Financial Times Weekend, February 23 – 24, 1991.
William Corbett, “Philip Guston / Clark Coolidge,” Arts Monthly, Summer, 1991.
Robert Hughes. The Push off of the New. Revised Edition, King A. Knopf, Inc., New York, 1990, 1991.
Nicholas Jenkins, “Philip Guston,” Correct News, December 1991.
Daniel Wheeler. Cut up Since Mid-Century 1945 to the Brew. The Vendome Press, New York, 1991.
Roberta Smith, “Abstraction: A Trend Renounce May Be Coming Back,” The Novel York Times, January 10, 1992.
Diana Negroponte, “Hoy en La Cultura,” Question period on video cassette, September 1991.
Parliamentarian Storr, “Philip Guston,” MoMA, Members Every three months, Museum of Modern Art, NY, Season 1992.
April Kingsley. The Turning Period. Simon & Schuster, New York, 1992.
Linda Konheim Kramer, “Forum: Philip Guston’s Mural Study for Kings County Hospital,”Drawing, March-April 1993.
Art News, May 1993.
John Russell, “American Art Through Continent Eyes,” The New York Times, May well 30, 1993.
Robert Natkin, “Epilogue – Letter to David McKee,” Subject Question and Abstraction – in Exile, Herts,
England: The Claridge Press, 1993.
Parliamentarian Hughes, “The View from Piccadilly,” Tight, October 4, 1993.
“Philip Guston, tap arte del dibujo,” El Punto regulate las Artes, Madrid, May 21-27, 1993.
Jose Luis Merino, “Guston,” El Mundo, May 1993.
Xabier Saenz de Gorbea, “La Raiz del dibujo y sus rutas,” Arte, May 1993.
Francisco Chacon, “La `investigadora’ de Guston,” El Mundo, May 14, 1993.
A. Okariz, “Los dibujos de Philip Guston,” Egin, Can 1993.
J. A. Gonzalez Carrera, “La Sala Rekalde de Bilbao exhibe una antologica de dibujos de Philip Guston,”
El Correo espanol – El Metropolis Vasco, May 12, 1993.
Francisco Chacon, “Philip Guston, Obsesion por el dibujo,” El Mundo, May 11, 1993.
“La hija del pintor asistio a power point inauguracion de la muestra de Guston,” Deia, May 12, 1993.
Juan Manuel Bonet, “El Philip Guston intimo,” ABC de las Artes, May 1993.
M.J. Gandariasbeitia, “135 dibujos mostraran en Bilbao la trayectoria del pintor norteamericano Prince Guston,” Cultura (newspaper unknown), May 9, 1993.
“El dibujo segun Philip Guston,” Bilbao, June 1993.
Elisa Gonzales, “Un trazo singular,” Bilbao, June 1993.
Sam Hunter and John Jacobus. Modern Monopolize. Third Edition, Harry N. Abrams, Inc., New York, 1993.
Roberto Ohrt, “Drecke in Farbe Der Maler Philip Guston,” Texte zur Kunst, March 1994.
Anne Loxley, “National Identity Explored,” The Sydney Morning Herald, April 29, 1994.
Elwyn Lynn, “Driven to surrealist abstraction,” Nobleness Weekend Review, May 7 – 8, 1994.
Jacques Delaruelle, “A Different Form of Thinking,” The Sydney Review, Could 1994.
William Corbett. Guston’s Nixon. Patois, 1993.
William Corbett, “Guston’s Guston: Accomplish something One Bold Artist Saw His Badly chosen In The Universe,” The Boston Constellation, September 1994.
Cate McQuaid, “Battleground: Regardless Philip Guston Fought The War Used to Create Art,” The Boston
Phoenix, Sep 1994.
Michael Edward Shapiro, “Philip Guston: The War Years,” The Print Collector’s Newsletter,
September – October 1994.
Debra Bricker Balken, “Double Billings: Philip Guston’s Poem-Pictures,” The Print Collector’s Newsletter,
Sept – October 1994.
Joseph Ablow, Textbook Terror: The Art of Philip Guston, Bostonia, Fall 1994.
Robert Taylor, “Philip Guston’s poem-pictures rise above art lingo,” The Boston Sunday Globe,
October 2, 1994.
Nancy Stapen, “Philip Guston bare at B.U. offers profound rewards,” Picture Boston Sunday Globe,
October 2, 1994.
CeCe Bullard, “A painter’s anguish near anxiety,” Richmond Times-Dispatch, November 1994.
Paulette Roberts-Pullen, “Between Reality and Dreams,” Have round Magazine, Richmond Times- Dispatch,
November 1994.
Nancy Stapen, “Philip Guston, Boston Organization Art Gallery,” ARTnews, December 1994.
Miles Unger, “Philip Guston: Wrestling with illustriousness Past,” Art New England, December 1994 – January 1995.
William Corbett, “Philip Guston: Drawing Poems,” Art New England, December 1994 – January 1995.
Jon Imber, “Philip Guston: Teacher, Mentor, opinion Friend,” Art New England, December 1994 – January 1995.
Patrick McGrath, “Philip Guston: Head and Bottle, 1975,” ARTFORUM, February 1995.
Roberta Smith, “A Prince Guston Decade Colored by Red allow Pink,” The New York Times, Apr 28, 1995.
Didier Ottinger, “Acqisition d’un Tableau de Philip Guston par idle Musee Des Sables D’Olonne,”
Revue shelter Louvre – Etudes, March 1995.
Cathy Curtis, “The Figures are Hooded, on the contrary the Message is Clear,” Los Angeles Times (Orange County
Edition), April 18, 1995.
“Philip Guston,” The New Yorker, May 15, 1995.
Sabine Russ, “Die Suche nach der Mitte,” Aufbau, Could 26, 1995.
Joel Lewis, “Guston Gets Another Go,” Forward, June 9, 1995.
Edith Newhall, “Retrospective: Soul Mates,” New-found York Magazine, June 19, 1995.
Philippe Dagen, “Philip Guston aux Sables-d’Olnne: l’abstraction aller et retour,” Le Monde, July 4, 1995.
Nicola Kalinsky, ” Sundrenched Review: Drawing the Line,” Burlington Serial, July 1995.
Holland Cotter, “A Artist Who Collaborated with Poets,” The Pristine York Times, July 7, 1995.
Karenic Wilkin, “At the Galleries,” Partisan Examination, Summer 1995.
Victoria Pedersen, “Gallery Go by shanks`s pony Round,” Paper Magazine, Summer 1995.
Painter Carrier, Burlington Magazine, Review, August 1995.
Elisabeth Lebovici, “Guston, dessins sur exhilarate champ de mines,” Liberation ( thumb. 4431), August 17, 1995.
Jean-Louis Pradel, ” L’Apocalypse triviale de Philip Guston,” L’evenement du Jeudi, August 30, 1995.
“Philip Guston,” Art Press, No. 205, September 1995.
Manuel Jover, “L’art impur de Philip Guston,” Beaux Arts Munitions dump, No. 137, September 1995.
Raphael Rubenstein, “Ars Poetica,” Art in America, Sept 1995.
Andrea Barnet, “Parallel Sensibilities,” Excellence New York Times Review of Books, September 3, 1995.
Paul Brach, Dialogue, Art in America, October 1995.
Ronald Jones, ” Philip Guston’s Poem-Pictures,” Frame, November 1995.
Jonathan Fineberg. Art Because 1940: Strategies of Being. Prentice Captivate, New Jersey, 1995.
Edward Lucie-Smith. Movements in Art since 1945: Issues shaft Concepts. Thames and Hudson, 1995.
Jurgen Schmidt-Missner, “Schwarmgeister und Zweifler, Vier Alterswerke: Arbeiten von Philip Guston, Pablo Sculptor, Willem de Kooning und Joan Painter im Bremer Weserburg-Museum,” Nurnberger Nchrichten, June/July 1996.
Michael Kimmelman, “Philip Guston: Paintings From the 70’s,” The New Dynasty Times, October 11, 1996.
Tim Gryphon, “Philip Guston, Major Paintings From significance Seventies,” Time Out-New York, October 24 – 31, 1996.
“In vollkommener Freiheit…, Ausstellung um Picasso, Guston, Miro punch de Kooning im Neuen Museum Weserburg”, Bremer Anzeiger, October 26, 1996.
“Galleries Uptown,” The New Yorker, November 4, 1996.
Hans Berndt, “In Vollkommer Freiheit…,” Handelsblatt, Freitag/Samstag, 8/9 November 1996.
Disappear Levin, “Art Short List: Philip Guston,” The Village Voice, November 12, 1996.
Ursula Bode, “Alte Manner sind gefahrlich: Das Spatwerk von Guston, de Kooning, Miro und Picasso in Bremen,” Give in Zeit, November 20, 1996.
Peter Season, “Schwung, Volumen und Dichte: Vier Maler mit ihrem Spatwerk in der Bremer Weserburg: Picasso, Miro, de Kooning top secret Guston,” Frankfurter Allgemeine, Zeitung für Deutschland, November 25, 1996.
Jurgen Schmidt-Missner, “Mit dem Alter wachst die Freiheit: Saptwerker der Moderne im Weserburg-Museum Bremen,” Hannoversche Allgemeine Zeitung, December 2, 1996.
Heiner Stachelhaus, “Die Krise des Alters malend gemeistert: das Weserburg-Museum konfrontiert Zeitgenossisches border dem Spatwerk von vier Klassikern,” Type. Gallener Taghlatt.
Irving Sandler, Art invite the Post Modern Era: From righteousness Late 1960s to the Early Nineties, Harper Collins
Publishers, 1996.
Kunstler Kritisches Lexikon der Gegenwartskunst, Verlage Weltkunst become peaceful Bruckmann, 1997.
Robert Hughes, American Visions, The Epic History of Art rework America. Alfred A. Knopf, Inc., Recent York, 1997.
Robert Hughes, “American Visions,” Time, page 85, Spring 1997.
Jeffrey Day, “Greenville takes the lead jiggle Guston and Mann exhibits,” Tempo, Haw 11, 1997.
Tom Patterson, “Guston’s ‘40s works frame his future,” The City Observer, May 18, 1997.
Roberta Sculpturer, “Something Constant in a Procession medium Styles,” The New York Times, Revered 22, 1997.
Dorothy Koppelman, “Philip Guston: The Man, His Life and Coronate Work,” Terrain Gallery online, Aesthetic Practicality Foundation, September 1997. http://
MaLin Wilson, “deomKrazy in the American West,” Art Issues, September – October 1997.
Grady T. Turner, “Philip Guston,” ARTnews, November 1997.
Tim Griffin, “Philip Guston: Brave New World:1943,” On Paper, Nov – December, 1997.
“Philip Guston’s Spin in Style on Display at Berggruen,” San Francisco Chronicle, January 15, 1998.
Penelope Rowlands, “Guston Works on Carve at John Berggruen,” Art & Selling, January 1998.
David Bonetti, “Different Styles, different scales,” San Francisco Examiner, Jan 29, 1998.
Philip E. Bishop, “A Celebration of Contemporary Art,” The City Sentinel, March 15, 1998.
Joanne Milani, “Quality’s the Theme in Collector’s Show,” The Tampa Tribune, BayLife, May 24, 1998.
Suzanne Muchnic, “The Shock deserve the Old,” Los Angeles Times, Satisfactory, June 7, 1998.
“Summer Fiction Issue,” The New Yorker, June 22 & 29, 1998.
“Present Time,” ARTnews, Sep 1998.
David Pagel, “Jabs and Stabs,” The Los Angeles Times, November 13, 1998.
H. H. Arnason. History publicize Modern Art. Fourth Edition, edited indifference Marla F. Prather, Harry Abrams,
Recent York, 1999.
Michael Kimmelman, “A 100 of Art: Just How American Was It?” The New York Times, Apr 18, 1999.
“Can Painting as protest Art Survive? An Anxious Yes,” Probity Economist, May 1, 1999.
William Tramp, “Painting brought to a Head,” Nobility Financial Times, May 15 & 16, 1999.
Sally Radic. Creación y Figura, Figuración en el siglo XX. Gráficas Vernetta, S.A., 1999.
Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London, England and the Museum of Contemporary Agile, Chicago, Cornerhouse Publications, Manchester, 1999.
Difficulty Händler, “Trying Racism On,” Ausstellungen, Sept 1999.
Nicholas Serota, “Words and Deeds,” ARTFORUM, October 1999.
Samuel Herzog, “Stiller Abschied vom Absoluten, Ausstellung Philip Guston im Kunstmuseum Bonn,”
Neue Bürcher Beitung, Feuilleton, Friday, October 15, 1999.
Michelle Grabner, Examining Pictures: Exhibiting Paintings,” Borderline, issue 49, November – December 1999.
Harry Cooper, “Philip Guston: Paintings 1947-1979,” ARTFORUM, December 1999.
David Anfam, “Bonn, Philip Guston,” The Burlington Magazine, Dec 1999.
Christiane Vielhaber, “Bonn: Philip Guston,” 1999.
Julian Bell, What is Painting? Representation and Modern Art. Thames subject Hudson, 1999.
Kosme Maria de Baranano, “Diskurs um Philip Guston” Van Painter, Can Doesburg, de Chirico, Picasso, Guston, Weiner, Mangold, Richter. Kunstmuseum Winterthur, Richter, Verlag, Dusseldorf, 1999.
William Feaver, “The Passionate Aesthete: NIcholas Serota’s Choice work at Art,” Vernissage, No.98 December, 1999.
Contemporary York School, Abstract Expressionists: Artists Vote by Artists. Edited by Marika Herskovic, New York School Press, New Woolly, 393 pages, 2000.
Robin Gibson. Portrait THE CENTURY, 101 PORTRAIT MASTERPIECES 1900-2000. National Portrait Gallery Publications, National Figure Gallery, London, 2000.
Treasure from character Art Institute of Chicago. Hudson Hills Press, New York, 2000.
Patricia Hills. Modern Art in the USA: Issues and Controversies of the 20th Hundred. Prentice Hall, NJ, 2001.
Celebrating Today's Art: Highlights of the Anderson Grade. San Francisco Museum of Modern Head start, printed and bound by Mondadori print, Italy, 2000.
The Figure, Another Flatten of Modernism. Snug Harbor Cultural Affections, Newhouse Center for Contemporary Art, Staten Island, NY, 2000.
Emily Erikson, ‘Preview U.S. Shorts, “Philip Guston: A Unusual Alphabet,” ARTFORUM, January 2000.
Jean Guard and Craig McDaniel. Painting as organized Language: Material, Technique, Form and Load. Harcourt College Publishers, New York, 2000.
Beat Wismer and Sibylle Omlin. Das Gedächtnis der Malerei. Wathler König, Essence, 2000.
David Carrier, “Arte estrema, di rottura che smantella uno stile,” Tema Celeste: Arte Contemporanea,
January – Feb 2000.
Christoph Bannat, “Heimlicher Vater, Tabubruch: Philip Guston kehrte von der Abstraktion zurük zur Figur,” Vogue, February 2000.
Von Gerog Leisten, “Zurück zur Figuration,” Stuttgarter Zeltung, February 18, 2000.
Von Claudia Ihlefeld, “Kraftstrotzender Kulturpessimist,” Heilbronner Stimme, February 19, 2000.
Volker Bauermeister, “Der Vorturner des Stilbruchs,” Badische Zeitung, Feb 26, 2000.
Andreas Sommer, “Made worry USA,” February 26, 2000.
Von Nikolai B. Forstbauer, “Malerei der offenen Character oder Die Form ist die Farbe,” Stuttgarter Nachrichten, February 29, 2000.
Deborah Everett, “Philip Guston-Paintings and Drawings pass up the 1970’s,” NY Arts, international insubordination, Vol.5 No. 3., Winter 2000.
Diana Nemiroff, “The Painter’s Quest,” Vernissage (the magazine of the national gallery slow Canada), Spring 2000.
Robert Storr, “Modern Art despite Modernism,” Making Choices, 1 The Museum
of Modern Art, 2000.
Carmela Thiele, “Kapuzen und das Böse im Ich,” Badische Neueste Nachrichten, Upset 2, 2000.
Christian Marquar, “Der Ku-Klux Klan ist immer dabei,” Kunst, Upset 2, 2000.
Von Carmela Thiele, “Mich interessiert das Böse,” Tagesspiegel, Der, Miffed 5, 2000.
Robert C. Morgan, “Philip Guston: Small Paintings and Drawings 1968-1980,” Review, March 15, 2000.
“Die Wucht der Dinge,” Schwäblschce Zeltung, Mar 16, 2000.
Von Martin Mezger, “Körper zwischen Lust und Leiden,” Eblinger Zeitung, Pace 17, 2000.
Holger Steinemann, “Weg zurück zur Gegenständlichkeit,” Staatsanzeiger für Baden-Württemberg,
Foot it 20, 2000.
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Rosanne Altstatt, “Philip Guston im Kunstverein,” Kunstbulletin, April 2000.
“Drömilk gestaltning av det absurda,” Svenska Dagbladet, April 8, 2000.
“Philip Guston,” The New Yorker, April 10, 2000.
Grace Glueck, “Philip Guston,” The New York Times, Weekend, Friday, April 14, 2000.
Albrecht Kastein, “Ein Plakat zur Ausstellung (A bill to the exhibition), Philip Guston, Clean up New
Alphabet,” Künstlerplakate Sammlung Lempert (Artist posters collection Lempert), Page 6, June 16 – August 7, 2000.
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Tarnish Glueck, “Yale University Art Gallery,” Rectitude New York Times, New York Any more, Art in Connecticut, July 21, 2000.
Petra Halkes, “Figuring Out Abstraction,” Interest Crossings, Volume 19, Number 3, Light wind No. 75,
August 2000.
Alain Delaunois, “Philip Guston, un peintre en liberté,” Arts Plastiques, Fall 2000.
Fran Krijk, “Philip Guston,” AuxiPress, Fall 2000.
Royalty Jeffries, “Philip Guston,” The Guardian, Defeat 2000.
Philippe Regnier, “Un expressionniste pugnacious, Philip Guston, un abstrait hanté unfeeling la figure,” Le Journal
des covered entrance, September 2000.
Hervé Gauville, “Guston numbed gaffe,” Liberation, Culture, September 13, 2000.
Geneviève Breerette, “Au Centr Georges-Pompidou, Prince Guston le désenchanté,” Le Monde, Culture,
September 15, 2000.
Fran Krijk, “Philip Guston,” De Grote Parade, September 27, 2000.
Olivier Cena, “Sous l’ombre instinct Satan,” Télérama, September 27, 2000.
Emmanuelle Lequeux, “La Peinture Existentialiste De Prince Guston,” Le Monde, September 27 –
October 3, 2000.
Sabine Gignoux, “Guston, pinceau au poing,” La Croix, Refinement, September 28, 2000.

Michael Gibson, “Philip Guston: A Rage to Paint,” International Greet Tribune, September 30 –
October 1, 2000.
Blake Gopnik, “Philip Guston, Secure Gallery of Canada, Ottawa,” ARTnews, Oct 2000.
Richard Leydier, “The Heresies eliminate Philip Guston,” Art Press, Issue 261, October 2000.
Alexandre Grenier, “Philip Guston star inconnue,” Pariscope, Arts, October 2000.
“Philip Guston, Peintures 1947-79,” Descubrir conference Arte, October 2000.
Annie Cohen-Solal, “L’art américain mine de rien,” Le Annals Des Arts, October 6, 2000.
Marie-Christine Stephan, “Les combats de Philip Guston,” Kultur, October 17, 2000.
Lieven Front line den Abeele, “Schilderen tegen Ku Klux Klan,” De Standaard, October 17, 2000.
“Philip Guston jusqu’au 4 décembre agency centre Georges Pompidou,” Aden, October 18-24, 2000.
“Philip Guston,” Telerama, October 21-27, 2000.
“Philip Guston jusqu’au 4 décembre au centre Georges Pompidou,” Aden, Oct 25-31, 2000.
“Philip Guston,” Taxi While, October – November 2000.
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Nov 8, 2000.
“Philip Guston,” Aden, Nov 8-15, 2000.
“Philip Guston. Peintures, 1947-1979, Entre Michel-Ange et Walt Disney,” Orderly Nous Paris! L’Hebdo Du Métro, Nov 20-26, 2000.
“Philip Guston,” De Witte Raaf, 88, November – December 2000.
Museum of Our Wishes, edited give up Kasper König with Thomas Weski dispatch Ulrich Wilmes, Museum Ludwig, Köln, Autoren und Künstler, 212 pages, 2001.
Discoverer, American Visionaries: Selections from the Artificer Museum of American Art, Introduction strong Maxwell L. Anderson, Distributed by Beset N. Abrams, Inc., New York, 2001.
Philip Roth, Shop Talk: A Man of letters and His Colleagues and Their Drain, “Pictures by Guston,” Houghton Mifflin Fellowship, New York, NY, 2001. Pages 131-138.
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Arthur Smith, “A Harmonious One,” The Guardian, London, January 17, 2001.
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“Philip Guston,” The New Yorker, September 24, 2001.
Steven M. L. Aronson, “The Collection Impulse,” Architectural Digest, October 2001.
Mario Naves, “The Life and Times vacation Richard Nixon,” The New York Spectator, October 1, 2001.
Arthur C. Danto, “Dick (Nixon) Heads,” The Nation, Oct 1, 2001.
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“Metáforas al alba,” & “Trayectoria de vanguardia,” Valencia, Guias LaNetro, December 2001.
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Ferran Bono, “E1 IVAM reùne las pinturas inimitable Philip Guston realizò de un solitary impulso,” El Pais, La Cultura, Dec 14, 2001.
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Diario de Valencia, “E1 IVAM muestra las pinturas de Guston ‘intimas y personales’,” December 14, 2001.
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Los excesos de la mente (The recklessness of the mind), Centro Andaluz tip Arte, Contemporáneo, Empresa Pública de Gestión de Programas Culturales, Sevilla, Spain, 2002. Exhibition catalogue.
Painting in Boston:1950-2000, Lower by Rachel Rosenfield Lafo, Nicholas Capasso, and Jennifer Uhrhane, DeCordova Museum enjoin Sculpture Park, Lincoln, MA, distributed, College of Massachusetts Press, Amherst and President, 2002.
Marjorie B. Cohn, Lois Orswell, David Smith, and Modern Art, Fogg Art Museum, Harvard University Art Museums, Cambridge, MA, Yale University Press, Modern Haven and London, 2002.
Robert Prevaricate, The Duchess of Malfi’s Apricots, coupled with Other Literary Fruits, University of Southward Carolina Press, Columbia, SC, 2002.
Beckmann, Centre Pompidou, Paris, 2002.
Vicki deed Kent Logan, The Logan Collection, Unblended Portrait of Our Times, The Logan Collection Vail, 2002.
David Sylvester, Interviews with American Artists, Yale University Look, January 2002.
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ABC Comunidad Valenciana, “La Propuesta del Día,” January 19, 2002.
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Kenneth Baker, “Just what is a masterpiece?” San Francisco Follow, Datebook, The Arts, February 17, 2002.
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Arthur C. Danto, “Cheerio to Cheerios,” BookForum, Art & Culture, Spring 2002.
Alexander van Grevenstein (translation: Beth O’Brien), “Philip Guston: The Demos (1973-1979),” Bonnefanten Magazine, Jaaegang 2 N˚1, Summer 2002.
Debra Bricker Balken, “Philip Guston’s Sappy Richard,” Gastronomica, Summer 2002.
Sarah Bruiser, “Drawings Are Still Kicking Nixon Around,” The New York Times, The School of dance, Monday, June 17, 2002.
Sarah Bruiser, “Still Kicking Nixon around,” International Point to Tribune, Thursday, June 20, 2002.
“Philip Guston’s Poor Richard,” Newsletter: Achenbach Intense Arts Council, California Palace of significance Legion of Honor, Fine Arts Museum of San Francisco, Volume 9, Edition 3, Fall 2002.
Jean Martin, “Philip Guston’s Poor Richard,” The Art Volume, Volume 9, Issue 4, September 2002.
Michael Kimmelman, “Brave Enough to Titter Himself (A Season for Visionaries, Original, Old and Ancient),”
The New Royalty Times, Sunday, September 8, 2002.
Kenneth Baker, “Philip Guston’s mightier pen skewers politicos,” San Francisco Chronicle, Datebook, Oct 16, 2002
Will Shank, “Tricky Gumshoe, captured in ink on paper,” Bellow Area Reporter, October 24, 2002.
Parliamentarian Storr, “Slow Burn,” ARTFORUM, November 2002.
Kenneth Baker, Critics Picks: Art, San Francisco Chronicle, November 22, 2002.
Richard Kalina, “Expressing the Abstract,” (Joan Mitchell), Art in America, December 2002.
“In SF: fine arts and dining”, Elite Magazine, Menlo Park, CA, December 2002.
Kenneth Baker, “SFMOMA advances to forefront” and “The weird, wild, and wonderful: Happenings on the 2002 arts stream entertainment scene worth remembering,” San Francisco Chronicle, December 29, 2002.
Gifts make a purchase of Honor of the 125th Anniversary watch the Philadelphia Museum of Art, Metropolis Museum of Art, PA, organized moisten Alice Beamesderfer, produced by Department detect Publishing, Philadelphia Museum of Art, City, PA, 2002.

Michael Auping, Modern Art Museum of Fort Worth 110, III 3rd Millennium Publishing Limited, London, 2002. Pages 74-79, 242.
Sean Rainbird, Max Beckmann, London: Tate Publishing, 2003.
David Historian, Treasures of the National Gallery dressing-down Canada, National Gallery of Canada, Algonquin in association with Yale University Withhold, New Haven and London, 2003.
Painter Anfam, “Preview, Winter 2003: Philip Guston, Modern Art Museum of Fort Worth,” ARTFORUM, January 2003.
Faye Hirsch, “Dunham’s Demonology,” Art in America, January 2003.
“In SF: fine arts and dining”, Gentry Magazine, Menlo Park, CA, Jan 2003.
Gaile Robinson,” An EYE footing anguish, Modern’s exhibit gives Philip Guston a rare turn in the spotlight,”
Star Time, Fort Worth, TX, Pace 28 – April 3, 2003. (cover)
Janet Kutner, “Bold Strokes, Modern model Fort Worth provides grand setting take possession of Philip Guston’s daring canvases,” The Metropolis Morning News, Arts Sunday, March 30, 2003.
“Philip Guston,” New in high-mindedness Galleries, Denver Art Museum, Spring 2003.
“Philip Guston Retrospective,” At the Contemporary, Modern Art Museum of Fort Benefit, Calendar, Spring 2003. (cover)
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Robert Enright, “The Undiscovered Dear, The Art of George Condo,” question, Border Crossings, Volume 22, Number 2, Issue No. 86, May 2003.
Allegra Muzzillo, “Guston Gets the Glory,” Identify & Auction, May 2003.
David Anfam, “Telling Tales,” ARTFORUM, May 2003. (cover)
Poul Erik Tøjner, “Udsat (Philip Guston),” Louisiana Magasin, May 2003.
“Farewell persist at Guston,” At the Modern, Modern Sham Museum of Fort Worth, Calendar, Season 2003.
“Long Way Home,” Museums, San Francisco, Summer 2003.
San Francisco, Museum Scene, Art & Antiques, June 2003.
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Christopher Knight, “The paint is the thing,” Los Angeles Times, Calendar, Saturday, Venerable 23, 2003.
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Sarah Schmerier, “Learning to scrawl,” Time Out, New York, Fall Vernissage, Art, September 4-11, 2003.
Calendar, Magnanimity Metropolitan Museum of Art, Exhibitions & Programs, September – October 2003.
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Philip Roth, “Pictures obey Guston,” Modern Painters, Autumn 2003.
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Michael Kimmelman, “Anxious Liberator Decay an Era’s Demons,” The New Royalty Times, Friday, October 31, 2003.
William Corbett, “Philip Guston in Retrospect,” Rendering Brooklyn Rail, November 2003.
Lisa Yuskavage, Thomas Nozkowski, Gregory Amenoff, Katy Siegal, Peter Soriano, “To Philip Guston,” Honourableness Brooklyn Rail, November 2003.
Peter Schjeldahl, “The Junkman’s Son, A Philip Guston retrospective,” The New Yorker, November 3, 2003.
“Exhibitions & The Collection,Philip Guston,” The Metropolitan Museum of Art Schedule, page 7, illustrated, November / Dec 2003.
Karen Rosenberg, edited by, “Art, The Week, Solo Galleries, 57th Way Area & Museums,” New York, Nov 10, 2003.
Mark Stevens, “Cartoon Character,” New York, Critics, Art, November 10, 2003. [web page];
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Paul Richard, “Disparate Measures: Prince Guston’s Great Divide,” The Washington Peg, November 16, 2003.
Mario Naves, “Guston, Vindicated Underdog, A Man Who Disparate His Mind,” The New York Bystander, November 17, 2003.
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Doc Hainley, “Best of 2003, #1, Prince Guston,” Artforum, December 2003.
“Goings describe About Town,” Art: Museum and Libraries; and Galleries-Uptown, The New Yorker, Dec 1, 2003.
Clare Henry, “An creator who delighted in ‘crapola’,” Financial Stage, December 1, 2003, and Financial Time, December 2, 2003.
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Karen Rosenberg, edited by, “Art, The Week, Lone Galleries, 57th Street Area,” New Royalty, December 8, 2003.
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Ken Lexicographer, “Philip Guston, Bruce Nauman, Raymond Pettibon,” The New York Times, Friday,
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Daniel Kunitz, “The Two Faces of Philip Guston,” The Recent York Sun, December 30, 2003.
Nicole Krauss, “the first painter after grandeur last,” Modern Painters, Winter 2003.
Daivd Anfam, “Eye to Eye with Prince Guston,” RA Magazine, Winter 2003. (cover)
Andy Burgess, “Tired of all meander purity,” The Jewish Quarterly, Winter 2003/4.
William Corbett, The Art Book, Notebook 11, Issue 1, January 2004.
Metalworker, “*Philip Guston,” (* a highly show), The New York Times, Weekday, January 2, 2004.
Philip Roth, “The Odd Couple,” The Sunday Telegraph, 4 January 2004.
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Adrian Searle, “The Devil Inside,” Birth Guardian, Visual Arts, 20 January 2004.
William Packer, “Contentious Hand that Only just Reveals Its Worth,” Financial Times, Field, January 21, 2004.
Brian Sewell, “What a Waste of a Little Dominion of Talent,” Evening Standard, The Field, Friday, 23 January 2004.
Andrew Lambirth, “Apocalyptic vision,” The Spectator, 24 Jan 2004.
Jill Lloyd, “Krazy Kat Cuts the Crapola,” The Times Literary Pull-out, Friday, February 6, 2004.
Matthew Collings, “Overrated Guston,” TLS, Letters to excellence Editor, February 13, 2004, page 17.
David Kaufmann, “The Double Mystery take away Creativity and Personality,” Forward, February 27, 2004.
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Fiona McHardy, “The Art of Phiilip Guston,” Education Guide, Royal Academy clever Arts, Burlington, 2004.
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Tom Service, “For Philip Guston,” Classical, The Independent: Review, March 12, 2004.
Drew Milne, “The Anxiety gradient Surfaces,” Blunt Edge 4, (The Cock Fuller Memorial Foundation), London, April 2004.
Roy Oxlade, “Guston & Eliot,” Said Edge 4, (The Peter Fuller Plaque Foundation), London, April 2004.
Norman Rosenthal, “vanity projects,” Art & Auction, Apr 2004.
Recent Acquisitions, Mount Holyoke School Art Museum newsletter, Spring 2004.
“Verbatim,” Books, RA Magazine, Spring 2004.
Painter Ebony, “Record-Breaking Attendance at ADAA Expense Fair,” Art in America, April 2004.
Rosalind Furness, “London: Royal Academy, Grass Taylor Gallery, Philip Guston,” Contemporary, Makes no difference 61, March 2004.
Jon Imber, “Guston and Dylan, Tangled Up in Blue,” Art in America, Letters, May 2004.
Yolanda Montejano, “Llegan norteamericanos para recuperar mural,” Provincia, May 12, 2004.
Claudia Aguilar, “Buscan revalorar La Inquisition,” Cambio de Michoacan, May 12, 2004.
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The Great Parade, Portrait of class Artist as Clown, edited by Denim Clair, Yale University Press, New Seaport and London, in association with picture National Gallery of Canada, Ottawa, 2004.
“Lucas Reiner: Trees and Words”, Out of range Baroque Books, Los Angeles, Summer 2004
Lucas Reiner, “Fear and Trembling constantly the Image,” Beyond Baroque, Vol. 26, No. 2, 2004.
Antoni Llena, “Hi ha tantes modernitats com dogmatismes?” Avui, Dialeg, July 8, 2004.
David Oppidan, “Painting’s Radiant Array,” Border Crossings, Sedate 2004.
John T. Spike, “Switch Hitter: Philip Guston Defines the Trends,” Entry & Antiques, Closer Look, September 2004.
Joel Weinstein, “Enrique Chagoya: Big tube Little Drawings, at George Adams Gallery,” Art on Paper,
September / Oct 2004.
The Undiscovered Country. Essay overstep Russell Ferguson. Hammer Museum, Los Angeles, CA, October 2004.
R.C. Baker, “Before the Empire Strikes Back,” The Restricted Voice, October 6-12, 2004.
Robert Storr, “View from the Bridge,” Frieze, Nov / December 2004.
Roberta Smith, “Corporate Taste in Art, And the Split up of Donation,” The New York Present, Friday, February 4, 2005.
Michael Boodro, “Alan Wanzenberg: 12 Things He Can’t Live Without,” Elle Décor Magazine, Hoof it 2005, page 54.
Robert Zaller, “The Abandoned Studio:Philip Guston’s Gnostic Testament,” Compatible, St. Louis University, Spring 2005, Mass 20, Numbers 2 & 3, pages 100-118.
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Barbara Tarmacadam, “Guston Low and High,” Art + Auction, February 2006, pp 112-114.
Be sore McCormack, “Guston by the Book: Solipsistic Riffs, Gonzo Recollections, and Reprobate Ruminations on Art, Aging, and Late-Life Rebirth,” Gallery & Studio, June/July/August 2006, pages 14-18.
John Levy, “The Painter Prince Guston,” First Intensity, #21, Fall 2006, pages 78-197.
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Art, ArtForum, December 2006.
John Goodrich, “A Highly Original Appetite,” The New York Sun, November 30, 2006.
Jack S. Blanton, 20th person in charge 21st Century American Art Dublin Throw away Gallery The Hugh Lane. Edited through Margarita Cappock. Museum of Art, Rule of Texas at Austin, Merrell Publishers Limited, London, 2006.
Martha Schwendener, examination of “Philip Guston Drawings,” The Novel York Times, December 15, 2006.
Von Boris Hohmeyer, “ Die Entdeckung bowl over Wirklichkeit” (“The Discovery of the Reality”), Art: Das Kunstmagazin, March 2007.
Ellen G. Landau, “Double Consciousness in Mexico: How Philip Guston and Rubin Kadish Painted a Morelian Mural”
American Fragment, Spring 2007.
Samantha Baskind, Encyclopedia fall foul of Jewish American Artists, Greenwood Press, Writer, 2007.
Christopher Bucklow, What is strike home the Dwat: The Universe of Guston’s Final Decade, The Wordsworth Trust, 2007.
Eric Banks, “walk the line: Prince Guston’s Creepy Klansmen and cartoon Nixons pushed the limits on paper,” Men’s Vogue, May 2008.
Ken Johnson, “Primal Instincts Hooked to an Art Conflicting Artifice,” Art Review, The New Dynasty Times, May 2, 2008.
Mario Naves, “How Abstract Clumps Became Philip Writer and Dick Nixon,” New York Witness, May 6, 2008.
“Philip Guston: Illustriousness man who changed his mind,” Goodness Economist, Books and arts, May 10, 2008.
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Say publicly Thirties: Theater of Cruelty, Place round Encounter, Introduction by Manuel Borja-Villel come to rest Rosario Peiró. Museo Nacional Centro lodge Arte Reina Sofía, 2013.
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